{"id":9954,"date":"2019-01-18T13:02:53","date_gmt":"2019-01-18T11:02:53","guid":{"rendered":"https:\/\/laregledujeu.org\/arrabal\/?p=9954"},"modified":"2019-01-18T13:06:45","modified_gmt":"2019-01-18T11:06:45","slug":"fillette","status":"publish","type":"post","link":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/","title":{"rendered":"\u00ab\u00a0Fillette\u00a0\u00bb de Louise Bourgeois."},"content":{"rendered":"
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\"\"<\/a>Louise Bourgeois <\/b>est n\u00e9e \u00e0 Paris le 25-XII-1911 et s’est\u00a0 occult\u00e9e \u00e0 N.York le 14 Merdre de l’an 137 de l’\u00c8re ‘Pataphysique.\u00a0 Elle est une sculpteur et plasticienne fran\u00e7aise et\u00a0naturalis\u00e9e am\u00e9ricaine. Elle est connue pour ses installations monumentales, mais pratique \u00e9galement la peinture et la gravure. Elle explore des th\u00e8mes tels que l’univers domestique, la famille, le corps notamment les organes sexuels tout en abordant une approche qui se traduit comme une manifestation des subconscients et la r\u00e9activation de souvenirs de son enfance.\u00a0Louise Bourgeois bien que n\u00e9e en France a pass\u00e9 l’essentiel de sa carri\u00e8re artistique \u00e0 New York, o\u00f9 elle s’est install\u00e9e en 1938\u00a0\u00a0apr\u00e8s avoir \u00e9pous\u00e9 l’historien d’art am\u00e9ricain Robert Goldwater 5(907-1973)<\/div>\n<\/div>\n

***\"\"<\/a><\/p>\n

\u00ab\u00a0FILLETTE\u00a0\u00bb [latex over plaster;\u00a0 dimensions:\u00a0 23 1\/2 x 11 x 7 1\/2″ (59.7 x 28 x 19.1 cm), gift of the artist in memory of Alfred H. Barr, Jr.]:\u00a0 his phallic sculpture means \u2018little girl\u2019, an ironic disjunction of word and object. Bourgeois has talked about this work in relation to her experiences as a wife, and a mother to three boys, which led her to see masculinity as far more vulnerable than she had imagined. \u2018From a sexual point of view I consider the masculine attributes to be extremely delicate\u2019, she explained. \u2018They\u2019re objects that the woman, myself, must protect.\u2019The photographer Robert Mapplethorpe famously portrayed Bourgeois with a version of this work tucked playfully under her arm.\u00a0 By layering latex over plaster, Bourgeois achieved a fleshy, tactile texture in this hanging sculpture. While it most obviously represents a phallus, the work can also be seen as a female torso, as the title suggests; in this reading, the two round forms are the tops of two legs, attaching to their hip joints. This eliding of genders creates ambiguity, as do the work\u2019s dual qualities of erect potency and fragile vulnerability. From a sexual point of view,\u00a0\u00bb Bourgeois said, \u00ab\u00a0I consider the masculine attributes to be very delicate.\u00a0\u00bb<\/p>\n

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\u00abIl faut abandonner le pass\u00e9 tous les jours ou bien l\u2019accepter. Et si on n\u2019y arrive pas, on devient sculpteur\u00bb. Louise Bourgeois met en sc\u00e8ne des organes sexuels f\u00e9minins et masculins dans son \u0153uvre\u00a0: des p\u00e9nis dans sa sculpture de 1968 intitul\u00e9e Fillette et immortalis\u00e9e dans une photographie de l\u2019artiste avec son \u0153uvre figurant un p\u00e9nis qu\u2019elle porte sous le bras par ROBERT MAPPLETHORP,\u00a0 ainsi que des clitoris dans Femmes Couteau de 1970. Les mati\u00e8res utilis\u00e9es sont le marbre et le bronze pour commencer, mati\u00e8res qu\u2019elle d\u00e9laisse par la suite pour le pl\u00e2tre qu\u2019elle recouvre de latex ou de plastique, la cire, la r\u00e9sine<\/div>\n<\/div>\n
\"\"<\/a><\/div>\n<\/section>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
    \n
  • En 1999, Louise Bourgeois re\u00e7oit le Lion d’or de la Biennale de Venise\u00a0\u00a0pour l’ensemble de son \u0153uvre.<\/li>\n
  • Le 21 septembre 2008,\u00a0 Carla Bruni, Jack Lang et Nicolas Sarkozy , lui remettent la L\u00e9gion d’Honneur \u00a0\u00e0 New York.<\/li>\n
  • En 2009, elle est honor\u00e9e par le National Women’s Hall of Fame,\u00a0 pour avoir marqu\u00e9 l’histoire des \u00c9tats-Unis.<\/li>\n
  • En 2009, elle est honor\u00e9e \u00e0 New York par le Coll\u00e8ge de ‘Pataphysique de l’Ordre de la Grande Gidouille (\u00ab\u00a0Commandeur exquis\u00a0\u00bb… comme Pablo Picasso\u00a0 soixante\u00a0 ans avant)<\/li>\n
  • ***<\/li>\n
  • [https:\/\/www.youtube.com\/watch?v=IYiNEnfKNpE .\u00a0 \u00a0 https:\/\/www.youtube.com\/watch?v=VxSr-vPkv5M]<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

    Louise Bourgeois est n\u00e9e \u00e0 Paris le 25-XII-1911 et s’est\u00a0 occult\u00e9e \u00e0 N.York le 14 Merdre de l’an 137 de l’\u00c8re ‘Pataphysique.\u00a0 Elle est une sculpteur et plasticienne fran\u00e7aise et\u00a0naturalis\u00e9e am\u00e9ricaine. Elle est connue pour ses installations monumentales, mais pratique \u00e9galement la peinture et la gravure. Elle explore des th\u00e8mes tels que l’univers domestique, la famille, le corps notamment les organes sexuels tout en abordant une approche qui se traduit comme une manifestation des subconscients et la r\u00e9activation de souvenirs de son enfance.\u00a0Louise Bourgeois bien que n\u00e9e en France a pass\u00e9 l’essentiel de sa carri\u00e8re artistique \u00e0 New York, o\u00f9 elle s’est install\u00e9e en 1938\u00a0\u00a0apr\u00e8s avoir \u00e9pous\u00e9 l’historien d’art am\u00e9ricain Robert Goldwater 5(907-1973) *** \u00ab\u00a0FILLETTE\u00a0\u00bb [latex over plaster;\u00a0 dimensions:\u00a0 23 1\/2 x 11 x 7 1\/2″ (59.7 x 28 x 19.1 cm), gift of the artist in memory of Alfred H. Barr, Jr.]:\u00a0 his phallic sculpture means \u2018little girl\u2019, an ironic disjunction of word and object. Bourgeois has talked about this work in relation to her experiences as a wife, and a mother to three boys, which led her to see masculinity as far more vulnerable than she had imagined. \u2018From a sexual point of view I consider the masculine attributes to be extremely delicate\u2019, she explained. \u2018They\u2019re objects that the woman, myself, must protect.\u2019The photographer Robert Mapplethorpe famously portrayed Bourgeois with a version of this work tucked playfully under her arm.\u00a0 By layering latex over plaster, Bourgeois achieved a fleshy, tactile texture in this hanging sculpture. While it most obviously represents a phallus, the work can also be seen as a female torso, as the title suggests; in this reading, the two round forms are the tops of two legs, attaching to their hip joints. This eliding of genders creates ambiguity, as do the work\u2019s dual qualities of erect potency and fragile vulnerability. From a sexual point of view,\u00a0\u00bb Bourgeois said, \u00ab\u00a0I consider the masculine attributes to be very delicate.\u00a0\u00bb \u00abIl faut abandonner le pass\u00e9 tous les jours ou bien l\u2019accepter. Et si on n\u2019y arrive pas, on devient sculpteur\u00bb. Louise Bourgeois met en sc\u00e8ne des organes sexuels f\u00e9minins et masculins dans son \u0153uvre\u00a0: des p\u00e9nis dans sa sculpture de 1968 intitul\u00e9e Fillette et immortalis\u00e9e dans une photographie de l\u2019artiste avec son \u0153uvre figurant un p\u00e9nis qu\u2019elle porte sous le bras par ROBERT MAPPLETHORP,\u00a0 ainsi que des clitoris dans Femmes Couteau de 1970. Les mati\u00e8res utilis\u00e9es sont le marbre et le bronze pour commencer, mati\u00e8res qu\u2019elle d\u00e9laisse par la suite pour le pl\u00e2tre qu\u2019elle recouvre de latex ou de plastique, la cire, la r\u00e9sine En 1999, Louise Bourgeois re\u00e7oit le Lion d’or de la Biennale de Venise\u00a0\u00a0pour l’ensemble de son \u0153uvre. Le 21 septembre 2008,\u00a0 Carla Bruni, Jack Lang et Nicolas Sarkozy , lui remettent la L\u00e9gion d’Honneur \u00a0\u00e0 New York. En 2009, elle est honor\u00e9e par le National Women’s Hall of Fame,\u00a0 pour avoir marqu\u00e9 l’histoire des \u00c9tats-Unis. En 2009, elle est honor\u00e9e \u00e0 New York par le Coll\u00e8ge de ‘Pataphysique de l’Ordre de la Grande Gidouille (\u00ab\u00a0Commandeur exquis\u00a0\u00bb… comme Pablo Picasso\u00a0 soixante\u00a0 ans avant) *** [https:\/\/www.youtube.com\/watch?v=IYiNEnfKNpE .\u00a0 \u00a0 https:\/\/www.youtube.com\/watch?v=VxSr-vPkv5M]<\/p>\n","protected":false},"author":6,"featured_media":9956,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"\n"Fillette" de Louise Bourgeois. - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Fillette" de Louise Bourgeois. - Ceci n\u2019est pas un blog\" \/>\n<meta property=\"og:description\" content=\"Louise Bourgeois est n\u00e9e \u00e0 Paris le 25-XII-1911 et s’est\u00a0 occult\u00e9e \u00e0 N.York le 14 Merdre de l’an 137 de l’\u00c8re ‘Pataphysique.\u00a0 Elle est une sculpteur et plasticienne fran\u00e7aise et\u00a0naturalis\u00e9e am\u00e9ricaine. Elle est connue pour ses installations monumentales, mais pratique \u00e9galement la peinture et la gravure. Elle explore des th\u00e8mes tels que l’univers domestique, la famille, le corps notamment les organes sexuels tout en abordant une approche qui se traduit comme une manifestation des subconscients et la r\u00e9activation de souvenirs de son enfance.\u00a0Louise Bourgeois bien que n\u00e9e en France a pass\u00e9 l’essentiel de sa carri\u00e8re artistique \u00e0 New York, o\u00f9 elle s’est install\u00e9e en 1938\u00a0\u00a0apr\u00e8s avoir \u00e9pous\u00e9 l’historien d’art am\u00e9ricain Robert Goldwater 5(907-1973) *** \u00ab\u00a0FILLETTE\u00a0\u00bb [latex over plaster;\u00a0 dimensions:\u00a0 23 1\/2 x 11 x 7 1\/2″ (59.7 x 28 x 19.1 cm), gift of the artist in memory of Alfred H. Barr, Jr.]:\u00a0 his phallic sculpture means \u2018little girl\u2019, an ironic disjunction of word and object. Bourgeois has talked about this work in relation to her experiences as a wife, and a mother to three boys, which led her to see masculinity as far more vulnerable than she had imagined. \u2018From a sexual point of view I consider the masculine attributes to be extremely delicate\u2019, she explained. \u2018They\u2019re objects that the woman, myself, must protect.\u2019The photographer Robert Mapplethorpe famously portrayed Bourgeois with a version of this work tucked playfully under her arm.\u00a0 By layering latex over plaster, Bourgeois achieved a fleshy, tactile texture in this hanging sculpture. While it most obviously represents a phallus, the work can also be seen as a female torso, as the title suggests; in this reading, the two round forms are the tops of two legs, attaching to their hip joints. This eliding of genders creates ambiguity, as do the work\u2019s dual qualities of erect potency and fragile vulnerability. From a sexual point of view,\u00a0\u00bb Bourgeois said, \u00ab\u00a0I consider the masculine attributes to be very delicate.\u00a0\u00bb \u00abIl faut abandonner le pass\u00e9 tous les jours ou bien l\u2019accepter. Et si on n\u2019y arrive pas, on devient sculpteur\u00bb. Louise Bourgeois met en sc\u00e8ne des organes sexuels f\u00e9minins et masculins dans son \u0153uvre\u00a0: des p\u00e9nis dans sa sculpture de 1968 intitul\u00e9e Fillette et immortalis\u00e9e dans une photographie de l\u2019artiste avec son \u0153uvre figurant un p\u00e9nis qu\u2019elle porte sous le bras par ROBERT MAPPLETHORP,\u00a0 ainsi que des clitoris dans Femmes Couteau de 1970. Les mati\u00e8res utilis\u00e9es sont le marbre et le bronze pour commencer, mati\u00e8res qu\u2019elle d\u00e9laisse par la suite pour le pl\u00e2tre qu\u2019elle recouvre de latex ou de plastique, la cire, la r\u00e9sine En 1999, Louise Bourgeois re\u00e7oit le Lion d’or de la Biennale de Venise\u00a0\u00a0pour l’ensemble de son \u0153uvre. Le 21 septembre 2008,\u00a0 Carla Bruni, Jack Lang et Nicolas Sarkozy , lui remettent la L\u00e9gion d’Honneur \u00a0\u00e0 New York. En 2009, elle est honor\u00e9e par le National Women’s Hall of Fame,\u00a0 pour avoir marqu\u00e9 l’histoire des \u00c9tats-Unis. En 2009, elle est honor\u00e9e \u00e0 New York par le Coll\u00e8ge de ‘Pataphysique de l’Ordre de la Grande Gidouille (\u00ab\u00a0Commandeur exquis\u00a0\u00bb… comme Pablo Picasso\u00a0 soixante\u00a0 ans avant) *** [https:\/\/www.youtube.com\/watch?v=IYiNEnfKNpE .\u00a0 \u00a0 https:\/\/www.youtube.com\/watch?v=VxSr-vPkv5M]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/\" \/>\n<meta property=\"og:site_name\" content=\"Ceci n\u2019est pas un blog\" \/>\n<meta property=\"article:published_time\" content=\"2019-01-18T11:02:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-01-18T11:06:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/01\/fillette.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"480\" \/>\n\t<meta property=\"og:image:height\" content=\"360\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fernandoarrabal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"fernandoarrabal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture est.\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/\",\"url\":\"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/\",\"name\":\"\\\"Fillette\\\" de Louise Bourgeois. - 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Ceci n\u2019est pas un blog","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/","og_locale":"fr_FR","og_type":"article","og_title":"\"Fillette\" de Louise Bourgeois. - Ceci n\u2019est pas un blog","og_description":"Louise Bourgeois est n\u00e9e \u00e0 Paris le 25-XII-1911 et s’est\u00a0 occult\u00e9e \u00e0 N.York le 14 Merdre de l’an 137 de l’\u00c8re ‘Pataphysique.\u00a0 Elle est une sculpteur et plasticienne fran\u00e7aise et\u00a0naturalis\u00e9e am\u00e9ricaine. Elle est connue pour ses installations monumentales, mais pratique \u00e9galement la peinture et la gravure. Elle explore des th\u00e8mes tels que l’univers domestique, la famille, le corps notamment les organes sexuels tout en abordant une approche qui se traduit comme une manifestation des subconscients et la r\u00e9activation de souvenirs de son enfance.\u00a0Louise Bourgeois bien que n\u00e9e en France a pass\u00e9 l’essentiel de sa carri\u00e8re artistique \u00e0 New York, o\u00f9 elle s’est install\u00e9e en 1938\u00a0\u00a0apr\u00e8s avoir \u00e9pous\u00e9 l’historien d’art am\u00e9ricain Robert Goldwater 5(907-1973) *** \u00ab\u00a0FILLETTE\u00a0\u00bb [latex over plaster;\u00a0 dimensions:\u00a0 23 1\/2 x 11 x 7 1\/2″ (59.7 x 28 x 19.1 cm), gift of the artist in memory of Alfred H. Barr, Jr.]:\u00a0 his phallic sculpture means \u2018little girl\u2019, an ironic disjunction of word and object. Bourgeois has talked about this work in relation to her experiences as a wife, and a mother to three boys, which led her to see masculinity as far more vulnerable than she had imagined. \u2018From a sexual point of view I consider the masculine attributes to be extremely delicate\u2019, she explained. \u2018They\u2019re objects that the woman, myself, must protect.\u2019The photographer Robert Mapplethorpe famously portrayed Bourgeois with a version of this work tucked playfully under her arm.\u00a0 By layering latex over plaster, Bourgeois achieved a fleshy, tactile texture in this hanging sculpture. While it most obviously represents a phallus, the work can also be seen as a female torso, as the title suggests; in this reading, the two round forms are the tops of two legs, attaching to their hip joints. This eliding of genders creates ambiguity, as do the work\u2019s dual qualities of erect potency and fragile vulnerability. From a sexual point of view,\u00a0\u00bb Bourgeois said, \u00ab\u00a0I consider the masculine attributes to be very delicate.\u00a0\u00bb \u00abIl faut abandonner le pass\u00e9 tous les jours ou bien l\u2019accepter. Et si on n\u2019y arrive pas, on devient sculpteur\u00bb. Louise Bourgeois met en sc\u00e8ne des organes sexuels f\u00e9minins et masculins dans son \u0153uvre\u00a0: des p\u00e9nis dans sa sculpture de 1968 intitul\u00e9e Fillette et immortalis\u00e9e dans une photographie de l\u2019artiste avec son \u0153uvre figurant un p\u00e9nis qu\u2019elle porte sous le bras par ROBERT MAPPLETHORP,\u00a0 ainsi que des clitoris dans Femmes Couteau de 1970. Les mati\u00e8res utilis\u00e9es sont le marbre et le bronze pour commencer, mati\u00e8res qu\u2019elle d\u00e9laisse par la suite pour le pl\u00e2tre qu\u2019elle recouvre de latex ou de plastique, la cire, la r\u00e9sine En 1999, Louise Bourgeois re\u00e7oit le Lion d’or de la Biennale de Venise\u00a0\u00a0pour l’ensemble de son \u0153uvre. Le 21 septembre 2008,\u00a0 Carla Bruni, Jack Lang et Nicolas Sarkozy , lui remettent la L\u00e9gion d’Honneur \u00a0\u00e0 New York. En 2009, elle est honor\u00e9e par le National Women’s Hall of Fame,\u00a0 pour avoir marqu\u00e9 l’histoire des \u00c9tats-Unis. En 2009, elle est honor\u00e9e \u00e0 New York par le Coll\u00e8ge de ‘Pataphysique de l’Ordre de la Grande Gidouille (\u00ab\u00a0Commandeur exquis\u00a0\u00bb… comme Pablo Picasso\u00a0 soixante\u00a0 ans avant) *** [https:\/\/www.youtube.com\/watch?v=IYiNEnfKNpE .\u00a0 \u00a0 https:\/\/www.youtube.com\/watch?v=VxSr-vPkv5M]","og_url":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/","og_site_name":"Ceci n\u2019est pas un blog","article_published_time":"2019-01-18T11:02:53+00:00","article_modified_time":"2019-01-18T11:06:45+00:00","og_image":[{"width":480,"height":360,"url":"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/01\/fillette.jpg","type":"image\/jpeg"}],"author":"fernandoarrabal","twitter_misc":{"\u00c9crit par":"fernandoarrabal","Dur\u00e9e de lecture est.":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/","url":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/","name":"\"Fillette\" de Louise Bourgeois. - Ceci n\u2019est pas un blog","isPartOf":{"@id":"https:\/\/laregledujeu.org\/arrabal\/#website"},"primaryImageOfPage":{"@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/#primaryimage"},"image":{"@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/#primaryimage"},"thumbnailUrl":"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/01\/fillette.jpg","datePublished":"2019-01-18T11:02:53+00:00","dateModified":"2019-01-18T11:06:45+00:00","author":{"@id":"https:\/\/laregledujeu.org\/arrabal\/#\/schema\/person\/03f79100f4c863d602fcd462cb418c8e"},"breadcrumb":{"@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/#primaryimage","url":"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/01\/fillette.jpg","contentUrl":"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/01\/fillette.jpg","width":480,"height":360},{"@type":"BreadcrumbList","@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/01\/18\/9954\/fillette\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/laregledujeu.org\/arrabal\/"},{"@type":"ListItem","position":2,"name":"\u00ab\u00a0Fillette\u00a0\u00bb de Louise Bourgeois."}]},{"@type":"WebSite","@id":"https:\/\/laregledujeu.org\/arrabal\/#website","url":"https:\/\/laregledujeu.org\/arrabal\/","name":"Ceci n\u2019est pas un blog","description":"Fernando Arrabal","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/laregledujeu.org\/arrabal\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/laregledujeu.org\/arrabal\/#\/schema\/person\/03f79100f4c863d602fcd462cb418c8e","name":"fernandoarrabal","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/laregledujeu.org\/arrabal\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8e01ce8140fb7ab19645728d216ba3e9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8e01ce8140fb7ab19645728d216ba3e9?s=96&d=mm&r=g","caption":"fernandoarrabal"},"url":"https:\/\/laregledujeu.org\/arrabal\/author\/fernandoarrabal\/"}]}},"_links":{"self":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/posts\/9954"}],"collection":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/comments?post=9954"}],"version-history":[{"count":0,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/posts\/9954\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/media\/9956"}],"wp:attachment":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/media?parent=9954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/categories?post=9954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/tags?post=9954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}