\u00a0(Paris)\u00a0<\/span>\u00a0<\/span><\/p>\nmise en sc\u00e8ne de Oscar Sisto, avec <\/span><\/p>\nOscar Sisto et Johann Piritua.<\/span><\/p>\n <\/p>\n
![\"\"](\"https:\/\/laregledujeu.org\/arrabal\/files\/2018\/11\/larchitecte.jpg\")
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[The Architect and the Emperor of Assyria<\/b><\/i>\u00a0(\u00a0L’Architecte et l’Empereur d’Assyrie<\/i>) is a 1967 play by Fernando Arrabal. It was produced by the Stratford Festival and The National Theatre of London\u00a0 \u00a0in 1970.]<\/p>\n
Le th\u00e9\u00e2tre de\u00a0Fernando Arrabal<\/strong>, co-fondateur du Panique\u00a0 revient p\u00e9riodiquement sur sc\u00e8ne et\u00a0Oscar Sisto<\/strong>\u00a0a choisi son \u00e9poustouflant \u00ab\u00a0L’Architecte et l’Empereur d’Assyrie<\/strong><\/em>\u00ab\u00a0.<\/p>\nSur une ile d\u00e9serte, comme \u00e0 l’aube de l’humanit\u00e9, un architecte construit son univers. Soudain un cataclysme venu du ciel jette \u00e0 ses c\u00f4t\u00e9s un \u00e9tranger qui demande de l’aide, se d\u00e9clare \u00ab l’Empereur d’Assyrie \u00bb et veut Iui apprendre la civilisation. Entre ces deux \u00eatres vont se jouer de multiples situations sublimes\u00a0 ou dramatiques au cours desquelles chacun affrontera l’autre jusqu’\u00e0 Iui prendre son propre r\u00f4le. Ainsi deviennent-ils m\u00e8re et fils. mari et femme, tyran et victime, com\u00e9dien et spectateur philosophe et rustre, juge et criminel, etc. Ils sont condamn\u00e9s l’un \u00e0 l’autre comme pile et face d’une m\u00eame pi\u00e8ce de monnaie. Jusqu’au jour o\u00f9 dans un profond \u00e9lan d’affection et pour r\u00e9aliser son r\u00eave de communion, l’Empereur d’Assyrie demande \u00e0 \u00eatre d\u00e9vor\u00e9 par l’architecte.<\/p>\n
La boucle est ainsi boucl\u00e9e. L’incorporation \u00e9tant consum\u00e9e l’histoire peut \u00e0 nouveau recommencer.<\/p>\n
Ce chef-d’oeuvre est mis en sc\u00e8ne par\u00a0Oscar Sisto<\/strong>\u00a0avec autant de brio que de coh\u00e9rence avec la conception d’Arrabal pour qui le th\u00e9\u00e2tre est une f\u00eate entre la po\u00e9sie et le tohu-bohu\u00a0 qui dynamite les faux-semblants soci\u00e9taux.\u00a0 Dans un d\u00e9cor tr\u00e8s juste\u00a0 avec un tr\u00f4ne tribal, et\u00a0 le renfort de demi-masques ,\u00a0Oscar Sisto<\/strong>\u00a0campe un grand enfant col\u00e9rique et dictateur aux prises avec le savoureux\u00a0Johann Piritua\u00a0<\/strong>en malicieux architecte \u00e0 l’apparente soumission. \u00ab\u00a0H\u00e9naurme\u00a0\u00bb et jubilatoire.<\/p>\n***<\/p>\n
Fernando Arrabal <\/b>\u00a0(born August 11, 1932) is a Spanish playwright, screenwriter, film director, novelist, and poet. He was born in MELILLA\u00a0 and settled in France in 1955. Regarding his nationality, Arrabal describes himself as \u00ab\u00a0desterrado\u00a0\u00bb, or \u00ab\u00a0half-expatriate\u00a0 half exiled.<\/p>\n
Arrabal has directed seven full-length feature films and has published over 100 plays; 14 novels; 800 poetry collections, chapbooks, and artists’books\u00a0; several essays; and his notorious \u00ab\u00a0Letter to Genral Franco \u00a0\u00bb during the dictator’s lifetime. His complete plays have been published, in multiple languages, in a two-volume edition totaling over two thousand pages.The New Yotk Times‘\u00a0<\/span>theatre critic Mel Gussow\u00a0\u00a0has called Arrabal the last survivor among the \u00ab\u00a0four avatars of modernism\u00a0\u00bb:<\/p>\n\u00ab\u00a0Arrabal’s theatre is a wild, brutal, cacophonous, and joyously provocative world. It is a dramatic carnival in which the carcass of our ‘advanced’ civilizations is barbecued over the spits of\u00a0 a permanent revolution. He is the artistic heir of Kafka’s\u00a0 \u00a0lucidity and Jarry’shumor; in his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, both revolutionary and bohemian, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding a reprieve.<\/p>\n
***<\/p>\n
Con Roland Topor y Jodo fund\u00f3 en 1963 el Grupo P\u00e1nico. Es\u00a0Transcendant Satrape<\/i>\u00a0del Colegio ‘Pataf\u00edsico.<\/p>\n
Amigo de Andy Warhol, Bastiat ou Tristran Tzara pas\u00f3 tres a\u00f1os en el grupo surrealista de Andr\u00e9 Breton.<\/p>\n
Arrabal ha escrito: \u00ab\u00a0Sin comparar lo incomparable.\u00a0 …suelo pensar en un chivo expiatorio: mi padre. El d\u00eda que comenz\u00f3 la incivil guerra civil fue encerrado, solo, por sus sol\u00edcitos compa\u00f1eros, en el cuarto de banderas de un cuartel de Melilla; para que se lo pensara, pues arriesgaba ser condenado a muerte por rebeli\u00f3n militar si no se adher\u00eda al \u2039alzamiento\u203a. Una hora despu\u00e9s el teniente Fernando Arrabal llam\u00f3 a sus ex compa\u00f1eros \u00a1ya! para decirles que no necesitaba reflexionar m\u00e1s. Gracias a ello hoy… me toca ser testigo, ejemplo o s\u00edmbolo, como \u00e9l, \u00bfde lo m\u00e1s trascendente de lo que sucede? Yo que s\u00f3lo soy un desterrado. Si se me saca de mis idolatradas cifras, lo que me rodea me lleva al tohu-bohu, a la confusi\u00f3n (\u2039h\u00e9las!\u2019\u203a) y al desconcierto \u00a1y sin orden! No quiero ser un chivo expiatorio como lo fue mi padre, s\u00f3lo quiero ocultarme\u00a0 vivo, cuando Pan quiera\u00a0\u00bb<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
Victor Garc\u00eda, Fernando Arrabal, Jim Dale et Anthony Hopkins, \u00ab\u00a0The Architect and The Empereur of\u00a0 Assyria\u00a0\u00bb *** L’Architecte et l’Empereur d’Assyrie de Fernando Arrabal Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris)\u00a0\u00a0 mise en sc\u00e8ne de Oscar Sisto, avec Oscar Sisto et Johann Piritua. [The Architect and the Emperor of Assyria\u00a0(\u00a0L’Architecte et l’Empereur d’Assyrie) is a 1967 play by Fernando Arrabal. It was produced by the Stratford Festival and The National Theatre of London\u00a0 \u00a0in 1970.] Le th\u00e9\u00e2tre de\u00a0Fernando Arrabal, co-fondateur du Panique\u00a0 revient p\u00e9riodiquement sur sc\u00e8ne et\u00a0Oscar Sisto\u00a0a choisi son \u00e9poustouflant \u00ab\u00a0L’Architecte et l’Empereur d’Assyrie\u00ab\u00a0. Sur une ile d\u00e9serte, comme \u00e0 l’aube de l’humanit\u00e9, un architecte construit son univers. Soudain un cataclysme venu du ciel jette \u00e0 ses c\u00f4t\u00e9s un \u00e9tranger qui demande de l’aide, se d\u00e9clare \u00ab l’Empereur d’Assyrie \u00bb et veut Iui apprendre la civilisation. Entre ces deux \u00eatres vont se jouer de multiples situations sublimes\u00a0 ou dramatiques au cours desquelles chacun affrontera l’autre jusqu’\u00e0 Iui prendre son propre r\u00f4le. Ainsi deviennent-ils m\u00e8re et fils. mari et femme, tyran et victime, com\u00e9dien et spectateur philosophe et rustre, juge et criminel, etc. Ils sont condamn\u00e9s l’un \u00e0 l’autre comme pile et face d’une m\u00eame pi\u00e8ce de monnaie. Jusqu’au jour o\u00f9 dans un profond \u00e9lan d’affection et pour r\u00e9aliser son r\u00eave de communion, l’Empereur d’Assyrie demande \u00e0 \u00eatre d\u00e9vor\u00e9 par l’architecte. La boucle est ainsi boucl\u00e9e. L’incorporation \u00e9tant consum\u00e9e l’histoire peut \u00e0 nouveau recommencer. Ce chef-d’oeuvre est mis en sc\u00e8ne par\u00a0Oscar Sisto\u00a0avec autant de brio que de coh\u00e9rence avec la conception d’Arrabal pour qui le th\u00e9\u00e2tre est une f\u00eate entre la po\u00e9sie et le tohu-bohu\u00a0 qui dynamite les faux-semblants soci\u00e9taux.\u00a0 Dans un d\u00e9cor tr\u00e8s juste\u00a0 avec un tr\u00f4ne tribal, et\u00a0 le renfort de demi-masques ,\u00a0Oscar Sisto\u00a0campe un grand enfant col\u00e9rique et dictateur aux prises avec le savoureux\u00a0Johann Piritua\u00a0en malicieux architecte \u00e0 l’apparente soumission. \u00ab\u00a0H\u00e9naurme\u00a0\u00bb et jubilatoire. *** Fernando Arrabal \u00a0(born August 11, 1932) is a Spanish playwright, screenwriter, film director, novelist, and poet. He was born in MELILLA\u00a0 and settled in France in 1955. Regarding his nationality, Arrabal describes himself as \u00ab\u00a0desterrado\u00a0\u00bb, or \u00ab\u00a0half-expatriate\u00a0 half exiled. Arrabal has directed seven full-length feature films and has published over 100 plays; 14 novels; 800 poetry collections, chapbooks, and artists’books\u00a0; several essays; and his notorious \u00ab\u00a0Letter to Genral Franco \u00a0\u00bb during the dictator’s lifetime. His complete plays have been published, in multiple languages, in a two-volume edition totaling over two thousand pages.The New Yotk Times‘\u00a0theatre critic Mel Gussow\u00a0\u00a0has called Arrabal the last survivor among the \u00ab\u00a0four avatars of modernism\u00a0\u00bb: \u00ab\u00a0Arrabal’s theatre is a wild, brutal, cacophonous, and joyously provocative world. It is a dramatic carnival in which the carcass of our ‘advanced’ civilizations is barbecued over the spits of\u00a0 a permanent revolution. He is the artistic heir of Kafka’s\u00a0 \u00a0lucidity and Jarry’shumor; in his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, both revolutionary and bohemian, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding a reprieve. *** Con Roland Topor y Jodo fund\u00f3 en 1963 el Grupo P\u00e1nico. Es\u00a0Transcendant Satrape\u00a0del Colegio ‘Pataf\u00edsico. Amigo de Andy Warhol, Bastiat ou Tristran Tzara pas\u00f3 tres a\u00f1os en el grupo surrealista de Andr\u00e9 Breton. Arrabal ha escrito: \u00ab\u00a0Sin comparar lo incomparable.\u00a0 …suelo pensar en un chivo expiatorio: mi padre. El d\u00eda que comenz\u00f3 la incivil guerra civil fue encerrado, solo, por sus sol\u00edcitos compa\u00f1eros, en el cuarto de banderas de un cuartel de Melilla; para que se lo pensara, pues arriesgaba ser condenado a muerte por rebeli\u00f3n militar si no se adher\u00eda al \u2039alzamiento\u203a. Una hora despu\u00e9s el teniente Fernando Arrabal llam\u00f3 a sus ex compa\u00f1eros \u00a1ya! para decirles que no necesitaba reflexionar m\u00e1s. Gracias a ello hoy… me toca ser testigo, ejemplo o s\u00edmbolo, como \u00e9l, \u00bfde lo m\u00e1s trascendente de lo que sucede? Yo que s\u00f3lo soy un desterrado. Si se me saca de mis idolatradas cifras, lo que me rodea me lleva al tohu-bohu, a la confusi\u00f3n (\u2039h\u00e9las!\u2019\u203a) y al desconcierto \u00a1y sin orden! No quiero ser un chivo expiatorio como lo fue mi padre, s\u00f3lo quiero ocultarme\u00a0 vivo, cuando Pan quiera\u00a0\u00bb<\/p>\n","protected":false},"author":6,"featured_media":9772,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"\n
"L'Architecte et l'Empereur d'Assyrie" de Fernando Arrabal :Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris). - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2018\/11\/19\/9771\/larchitecte-et-lempereur-dassyrie-de-fernando-arrabal-theatre-darius-milhaud-paris\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""L'Architecte et l'Empereur d'Assyrie" de Fernando Arrabal :Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris). - Ceci n\u2019est pas un blog\" \/>\n<meta property=\"og:description\" content=\" Victor Garc\u00eda, Fernando Arrabal, Jim Dale et Anthony Hopkins, \u00ab\u00a0The Architect and The Empereur of\u00a0 Assyria\u00a0\u00bb *** L’Architecte et l’Empereur d’Assyrie de Fernando Arrabal Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris)\u00a0\u00a0 mise en sc\u00e8ne de Oscar Sisto, avec Oscar Sisto et Johann Piritua. [The Architect and the Emperor of Assyria\u00a0(\u00a0L’Architecte et l’Empereur d’Assyrie) is a 1967 play by Fernando Arrabal. It was produced by the Stratford Festival and The National Theatre of London\u00a0 \u00a0in 1970.] Le th\u00e9\u00e2tre de\u00a0Fernando Arrabal, co-fondateur du Panique\u00a0 revient p\u00e9riodiquement sur sc\u00e8ne et\u00a0Oscar Sisto\u00a0a choisi son \u00e9poustouflant \u00ab\u00a0L’Architecte et l’Empereur d’Assyrie\u00ab\u00a0. Sur une ile d\u00e9serte, comme \u00e0 l’aube de l’humanit\u00e9, un architecte construit son univers. Soudain un cataclysme venu du ciel jette \u00e0 ses c\u00f4t\u00e9s un \u00e9tranger qui demande de l’aide, se d\u00e9clare \u00ab l’Empereur d’Assyrie \u00bb et veut Iui apprendre la civilisation. Entre ces deux \u00eatres vont se jouer de multiples situations sublimes\u00a0 ou dramatiques au cours desquelles chacun affrontera l’autre jusqu’\u00e0 Iui prendre son propre r\u00f4le. Ainsi deviennent-ils m\u00e8re et fils. mari et femme, tyran et victime, com\u00e9dien et spectateur philosophe et rustre, juge et criminel, etc. Ils sont condamn\u00e9s l’un \u00e0 l’autre comme pile et face d’une m\u00eame pi\u00e8ce de monnaie. Jusqu’au jour o\u00f9 dans un profond \u00e9lan d’affection et pour r\u00e9aliser son r\u00eave de communion, l’Empereur d’Assyrie demande \u00e0 \u00eatre d\u00e9vor\u00e9 par l’architecte. La boucle est ainsi boucl\u00e9e. L’incorporation \u00e9tant consum\u00e9e l’histoire peut \u00e0 nouveau recommencer. Ce chef-d’oeuvre est mis en sc\u00e8ne par\u00a0Oscar Sisto\u00a0avec autant de brio que de coh\u00e9rence avec la conception d’Arrabal pour qui le th\u00e9\u00e2tre est une f\u00eate entre la po\u00e9sie et le tohu-bohu\u00a0 qui dynamite les faux-semblants soci\u00e9taux.\u00a0 Dans un d\u00e9cor tr\u00e8s juste\u00a0 avec un tr\u00f4ne tribal, et\u00a0 le renfort de demi-masques ,\u00a0Oscar Sisto\u00a0campe un grand enfant col\u00e9rique et dictateur aux prises avec le savoureux\u00a0Johann Piritua\u00a0en malicieux architecte \u00e0 l’apparente soumission. \u00ab\u00a0H\u00e9naurme\u00a0\u00bb et jubilatoire. *** Fernando Arrabal \u00a0(born August 11, 1932) is a Spanish playwright, screenwriter, film director, novelist, and poet. He was born in MELILLA\u00a0 and settled in France in 1955. Regarding his nationality, Arrabal describes himself as \u00ab\u00a0desterrado\u00a0\u00bb, or \u00ab\u00a0half-expatriate\u00a0 half exiled. Arrabal has directed seven full-length feature films and has published over 100 plays; 14 novels; 800 poetry collections, chapbooks, and artists’books\u00a0; several essays; and his notorious \u00ab\u00a0Letter to Genral Franco \u00a0\u00bb during the dictator’s lifetime. His complete plays have been published, in multiple languages, in a two-volume edition totaling over two thousand pages.The New Yotk Times‘\u00a0theatre critic Mel Gussow\u00a0\u00a0has called Arrabal the last survivor among the \u00ab\u00a0four avatars of modernism\u00a0\u00bb: \u00ab\u00a0Arrabal’s theatre is a wild, brutal, cacophonous, and joyously provocative world. It is a dramatic carnival in which the carcass of our ‘advanced’ civilizations is barbecued over the spits of\u00a0 a permanent revolution. He is the artistic heir of Kafka’s\u00a0 \u00a0lucidity and Jarry’shumor; in his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, both revolutionary and bohemian, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding a reprieve. *** Con Roland Topor y Jodo fund\u00f3 en 1963 el Grupo P\u00e1nico. Es\u00a0Transcendant Satrape\u00a0del Colegio ‘Pataf\u00edsico. Amigo de Andy Warhol, Bastiat ou Tristran Tzara pas\u00f3 tres a\u00f1os en el grupo surrealista de Andr\u00e9 Breton. Arrabal ha escrito: \u00ab\u00a0Sin comparar lo incomparable.\u00a0 …suelo pensar en un chivo expiatorio: mi padre. El d\u00eda que comenz\u00f3 la incivil guerra civil fue encerrado, solo, por sus sol\u00edcitos compa\u00f1eros, en el cuarto de banderas de un cuartel de Melilla; para que se lo pensara, pues arriesgaba ser condenado a muerte por rebeli\u00f3n militar si no se adher\u00eda al \u2039alzamiento\u203a. Una hora despu\u00e9s el teniente Fernando Arrabal llam\u00f3 a sus ex compa\u00f1eros \u00a1ya! para decirles que no necesitaba reflexionar m\u00e1s. Gracias a ello hoy… me toca ser testigo, ejemplo o s\u00edmbolo, como \u00e9l, \u00bfde lo m\u00e1s trascendente de lo que sucede? Yo que s\u00f3lo soy un desterrado. Si se me saca de mis idolatradas cifras, lo que me rodea me lleva al tohu-bohu, a la confusi\u00f3n (\u2039h\u00e9las!\u2019\u203a) y al desconcierto \u00a1y sin orden! No quiero ser un chivo expiatorio como lo fue mi padre, s\u00f3lo quiero ocultarme\u00a0 vivo, cuando Pan quiera\u00a0\u00bb\" \/>\n<meta property=\"og:url\" content=\"https:\/\/laregledujeu.org\/arrabal\/2018\/11\/19\/9771\/larchitecte-et-lempereur-dassyrie-de-fernando-arrabal-theatre-darius-milhaud-paris\/\" \/>\n<meta property=\"og:site_name\" content=\"Ceci n\u2019est pas un blog\" \/>\n<meta property=\"article:published_time\" content=\"2018-11-19T14:39:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-11-19T14:39:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/laregledujeu.org\/arrabal\/files\/2018\/11\/larchitecte.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"180\" \/>\n\t<meta property=\"og:image:height\" content=\"250\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fernandoarrabal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"fernandoarrabal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture est.\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laregledujeu.org\/arrabal\/2018\/11\/19\/9771\/larchitecte-et-lempereur-dassyrie-de-fernando-arrabal-theatre-darius-milhaud-paris\/\",\"url\":\"https:\/\/laregledujeu.org\/arrabal\/2018\/11\/19\/9771\/larchitecte-et-lempereur-dassyrie-de-fernando-arrabal-theatre-darius-milhaud-paris\/\",\"name\":\"\\\"L'Architecte et l'Empereur d'Assyrie\\\" de Fernando Arrabal :Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris). - 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Ceci n\u2019est pas un blog","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/laregledujeu.org\/arrabal\/2018\/11\/19\/9771\/larchitecte-et-lempereur-dassyrie-de-fernando-arrabal-theatre-darius-milhaud-paris\/","og_locale":"fr_FR","og_type":"article","og_title":"\"L'Architecte et l'Empereur d'Assyrie\" de Fernando Arrabal :Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris). - Ceci n\u2019est pas un blog","og_description":" Victor Garc\u00eda, Fernando Arrabal, Jim Dale et Anthony Hopkins, \u00ab\u00a0The Architect and The Empereur of\u00a0 Assyria\u00a0\u00bb *** L’Architecte et l’Empereur d’Assyrie de Fernando Arrabal Th\u00e9\u00e2tre Darius Milhaud\u00a0\u00a0(Paris)\u00a0\u00a0 mise en sc\u00e8ne de Oscar Sisto, avec Oscar Sisto et Johann Piritua. [The Architect and the Emperor of Assyria\u00a0(\u00a0L’Architecte et l’Empereur d’Assyrie) is a 1967 play by Fernando Arrabal. It was produced by the Stratford Festival and The National Theatre of London\u00a0 \u00a0in 1970.] Le th\u00e9\u00e2tre de\u00a0Fernando Arrabal, co-fondateur du Panique\u00a0 revient p\u00e9riodiquement sur sc\u00e8ne et\u00a0Oscar Sisto\u00a0a choisi son \u00e9poustouflant \u00ab\u00a0L’Architecte et l’Empereur d’Assyrie\u00ab\u00a0. Sur une ile d\u00e9serte, comme \u00e0 l’aube de l’humanit\u00e9, un architecte construit son univers. Soudain un cataclysme venu du ciel jette \u00e0 ses c\u00f4t\u00e9s un \u00e9tranger qui demande de l’aide, se d\u00e9clare \u00ab l’Empereur d’Assyrie \u00bb et veut Iui apprendre la civilisation. Entre ces deux \u00eatres vont se jouer de multiples situations sublimes\u00a0 ou dramatiques au cours desquelles chacun affrontera l’autre jusqu’\u00e0 Iui prendre son propre r\u00f4le. Ainsi deviennent-ils m\u00e8re et fils. mari et femme, tyran et victime, com\u00e9dien et spectateur philosophe et rustre, juge et criminel, etc. Ils sont condamn\u00e9s l’un \u00e0 l’autre comme pile et face d’une m\u00eame pi\u00e8ce de monnaie. Jusqu’au jour o\u00f9 dans un profond \u00e9lan d’affection et pour r\u00e9aliser son r\u00eave de communion, l’Empereur d’Assyrie demande \u00e0 \u00eatre d\u00e9vor\u00e9 par l’architecte. La boucle est ainsi boucl\u00e9e. L’incorporation \u00e9tant consum\u00e9e l’histoire peut \u00e0 nouveau recommencer. Ce chef-d’oeuvre est mis en sc\u00e8ne par\u00a0Oscar Sisto\u00a0avec autant de brio que de coh\u00e9rence avec la conception d’Arrabal pour qui le th\u00e9\u00e2tre est une f\u00eate entre la po\u00e9sie et le tohu-bohu\u00a0 qui dynamite les faux-semblants soci\u00e9taux.\u00a0 Dans un d\u00e9cor tr\u00e8s juste\u00a0 avec un tr\u00f4ne tribal, et\u00a0 le renfort de demi-masques ,\u00a0Oscar Sisto\u00a0campe un grand enfant col\u00e9rique et dictateur aux prises avec le savoureux\u00a0Johann Piritua\u00a0en malicieux architecte \u00e0 l’apparente soumission. \u00ab\u00a0H\u00e9naurme\u00a0\u00bb et jubilatoire. *** Fernando Arrabal \u00a0(born August 11, 1932) is a Spanish playwright, screenwriter, film director, novelist, and poet. He was born in MELILLA\u00a0 and settled in France in 1955. Regarding his nationality, Arrabal describes himself as \u00ab\u00a0desterrado\u00a0\u00bb, or \u00ab\u00a0half-expatriate\u00a0 half exiled. Arrabal has directed seven full-length feature films and has published over 100 plays; 14 novels; 800 poetry collections, chapbooks, and artists’books\u00a0; several essays; and his notorious \u00ab\u00a0Letter to Genral Franco \u00a0\u00bb during the dictator’s lifetime. His complete plays have been published, in multiple languages, in a two-volume edition totaling over two thousand pages.The New Yotk Times‘\u00a0theatre critic Mel Gussow\u00a0\u00a0has called Arrabal the last survivor among the \u00ab\u00a0four avatars of modernism\u00a0\u00bb: \u00ab\u00a0Arrabal’s theatre is a wild, brutal, cacophonous, and joyously provocative world. It is a dramatic carnival in which the carcass of our ‘advanced’ civilizations is barbecued over the spits of\u00a0 a permanent revolution. He is the artistic heir of Kafka’s\u00a0 \u00a0lucidity and Jarry’shumor; in his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, both revolutionary and bohemian, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding a reprieve. *** Con Roland Topor y Jodo fund\u00f3 en 1963 el Grupo P\u00e1nico. Es\u00a0Transcendant Satrape\u00a0del Colegio ‘Pataf\u00edsico. Amigo de Andy Warhol, Bastiat ou Tristran Tzara pas\u00f3 tres a\u00f1os en el grupo surrealista de Andr\u00e9 Breton. Arrabal ha escrito: \u00ab\u00a0Sin comparar lo incomparable.\u00a0 …suelo pensar en un chivo expiatorio: mi padre. El d\u00eda que comenz\u00f3 la incivil guerra civil fue encerrado, solo, por sus sol\u00edcitos compa\u00f1eros, en el cuarto de banderas de un cuartel de Melilla; para que se lo pensara, pues arriesgaba ser condenado a muerte por rebeli\u00f3n militar si no se adher\u00eda al \u2039alzamiento\u203a. Una hora despu\u00e9s el teniente Fernando Arrabal llam\u00f3 a sus ex compa\u00f1eros \u00a1ya! para decirles que no necesitaba reflexionar m\u00e1s. 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