![\"\"](\"https:\/\/laregledujeu.org\/arrabal\/files\/2018\/07\/GOya-plastico-1-233x300.jpg\")
<\/a>\u00a0\u00ab\u00a0Las\u00a0 j\u00f3venes\u00a0\u00bb\u00a0o\u00a0\u00ab\u00a0La carta\u00a0\u00bb<\/strong><\/em><\/p>\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00ab\u00a0…the unfinished work was discovered underneath Goya’s Portrait of Don Ramon Satue, using a new X-ray technique.\u00a0 The Rijksmuseum says the Spanish master may have covered up the portrait for political reasons.\u00a0 Joseph Bonaparte was briefly King of Spain, from 1808-1813.\u00a0When the Napoleonic army was driven out and Ferdinand VII restored to the throne, Goya, who retained the painting, would have wanted to distance himself from the French regime.\u00a0 \u00a0The artist had served the French king.\u00a0 Eventually, unhappy with Ferdinand VII’s autocratic regime, he applied for permission to settle in France, where he lived until his death in 1828.\u00a0 \u00a0The new painting was revealed using a technique developed by the University of Antwerp and the Delft University of Technology.\u00a0\u00a0According to the Rijksmuseum, the Goya painting is a formal portrait of a man wearing uniform.The detail on his face was never completed, but \u00ab\u00a0the decorations embellishing the uniform are those of the highest ranks of a chivalric order instituted by Joseph Bonaparte when his brother, the emperor Napoleon, created him King Of Spain\u00a0\u00bb.\u00a0 Only 15 generals, plus Joseph, were entitled to wear the uniform and medal, although so far it has proved impossible to pin down exactly which of them is depicted\u00a0 …\u00a0\u00bbGoya \u00e9tait le ‘peintre de la cour’\u00a0 de Joseph Bonaparte Hispaniarum et Indiarium Rex de 1808 \u00e0 1813…\u00a0\u00bb<\/p>\n
![\"\"](\"https:\/\/laregledujeu.org\/arrabal\/files\/2018\/07\/Hispaniarum-et-Indiarum-Rex-1808-1813-257x300.jpg\")
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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Un oficial\u00a0 de\u00a0 \u00ab\u00a0La Tesorer\u00eda de Fernando VII\u00a0\u00bb informa\u00a0 a Goya el 9 de marzo de 1814\u00a0 de la siguiente manera, a fin de que comenzara a trabajar cuanto antes en sus cuadros:<\/p>\n
\u00ab\u00a0En consideraci\u00f3n a la grande importancia de tan loable empresa y la notoria capacidad del dicho profesor para desempe\u00f1arla, ha tenido a bien admitir su propuesta y mandar en consecuencia que mientras el mencionado Dn. Francisco Goya est\u00e9 empleado en este trabajo, se le satisfaga por Tesorer\u00eda mayor, adem\u00e1s de lo que por sus cuentas resulte invertido en lienzos, aparejos y colores, la cantidad de mil y quinientos reales de vell\u00f3n mensuales por v\u00eda de compensaci\u00f3n.\u00a0\u00bb<\/p>\n
\n\n\nEn 1867, dans ses m\u00e9moires de l’Acad\u00e9mie royale, Jos\u00e9 Caveda parle de 4 toiles de Goya sur le th\u00e8me\u00a0; Crist\u00f3bal Ferriz un artiste et un collectionneur de toiles de Goya mentionne \u00e9galement deux toiles additionnelles et pr\u00e9cise qu’il s’agirait d’une r\u00e9volte au palais Royal et de la d\u00e9fense de baraquements d’artillerie. La disparition de ces deux toiles pourrait indiquer un m\u00e9contentement officiel concernant la mani\u00e8re dont avait \u00e9t\u00e9 d\u00e9peinte l’insurrection populaire.<\/p>\n
En la d\u00e9cada de 1850\u00a0 el pintor Jos\u00e9 de Madrazo \u2014entonces director del Museo del Prado\u2014 puso en duda que Goya hubiese pintado este lienzo del 3 de mayo. Afirm\u00f3 que \u00abel cuadro es de calidad muy inferior a otros retratos del maestro Goya\u00bb…(?!)<\/p>\n<\/div>\n
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\u00a0\u00ab\u00a0Las\u00a0 j\u00f3venes\u00a0\u00bb\u00a0o\u00a0\u00ab\u00a0La carta\u00a0\u00bb Poema pl\u00e1stico de 57 cm x 38 cm ***\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00ab\u00a0Les Jeunes\u00a0\u00bb ou \u00ab\u00a0Jeune femme lisant une lettre\u00a0\u00bb\u00a0 ou \u00ab\u00a0La Lettre\u00a0\u00bb\u00a0 \u00a0 \u00a0est l’une des huiles sur toile\u00a0 (181 cm x 125 cm)\u00a0 peintes par Francisco de Goya\u00a0 …en 1812?\u00a0 \u00a0Son style a\u00a0 clairement \u00e9volu\u00e9 vers les critiques de la vie sociale, les satires et un parti pris pour les Lumi\u00e8res.\u00a0 \u00a0Au premier plan, une aristocrate v\u00eatue \u00e0 la fa\u00e7on des \u00ab\u00a0majas\u00a0\u00bb lit oisivement une lettre sous une ombrelle port\u00e9e par une servante au second plan. Un petit chien \u00e0 ses pieds tente de la distraire. Au troisi\u00e8me plan, des lavandi\u00e8res travaillent en plein soleil.\u00a0 Le peintre insiste sur les in\u00e9galit\u00e9s sociales\u00a0; non seulement entre la protagoniste, uniquement pr\u00e9occup\u00e9e par ses histoires de c\u0153ur, et sa servante, qui la prot\u00e8ge avec une ombrelle, mais \u00e9galement vis-\u00e0-vis des lavandi\u00e8res en arri\u00e8re-plan, agenouill\u00e9es et expos\u00e9es au soleil. \u00ab\u00a0Expuestas a un sol de justicia\u00a0\u00bb. MAJA:\u00a0 \u00a0Aristocrate\u00a0 \u00a0qui\u00a0s’encanaille\u00a0 habill\u00e9e simplement comme une femme du peuple. \u00ab\u00a0Maja, mujer del pueblo\u00a0\u00bb\u00a0 \u00a0qui se distingue por un traje particular, par un port gracieux, par un costume particulier\u00a0 et par ses mani\u00e8res pleines de gr\u00e2ce. *** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00ab\u00a0…the unfinished work was discovered underneath Goya’s Portrait of Don Ramon Satue, using a new X-ray technique.\u00a0 The Rijksmuseum says the Spanish master may have covered up the portrait for political reasons.\u00a0 Joseph Bonaparte was briefly King of Spain, from 1808-1813.\u00a0When the Napoleonic army was driven out and Ferdinand VII restored to the throne, Goya, who retained the painting, would have wanted to distance himself from the French regime.\u00a0 \u00a0The artist had served the French king.\u00a0 Eventually, unhappy with Ferdinand VII’s autocratic regime, he applied for permission to settle in France, where he lived until his death in 1828.\u00a0 \u00a0The new painting was revealed using a technique developed by the University of Antwerp and the Delft University of Technology.\u00a0\u00a0According to the Rijksmuseum, the Goya painting is a formal portrait of a man wearing uniform.The detail on his face was never completed, but \u00ab\u00a0the decorations embellishing the uniform are those of the highest ranks of a chivalric order instituted by Joseph Bonaparte when his brother, the emperor Napoleon, created him King Of Spain\u00a0\u00bb.\u00a0 Only 15 generals, plus Joseph, were entitled to wear the uniform and medal, although so far it has proved impossible to pin down exactly which of them is depicted\u00a0 …\u00a0\u00bbGoya \u00e9tait le ‘peintre de la cour’\u00a0 de Joseph Bonaparte Hispaniarum et Indiarium Rex de 1808 \u00e0 1813…\u00a0\u00bb *** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00bfPor qu\u00e9 Goya pint\u00f3 los fusilamientos del 3 de mayo de 1808 en 1814?\u00a0 \u00a0\u00bfPor qu\u00e9\u00a0 los cuatro cuadros del\u00a0 \u00ab\u00a02 y 3 de mayo de 1808\u00a0\u00bb se redujeron a dos ?\u00a0 \u00a0 \u00a0 Durante los hechos\u00a0 sucedidos los 2 y 3 de mayo de 1808 Goya \u00bfera favorable\u00a0 \u00ab\u00a0aux\u00a0 lumi\u00e8res\u00a0\u00bb ? \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Comme d’autres lib\u00e9raux espagnols, Goya se retrouve en position d\u00e9licate, \u00e0 la suite de l’invasion fran\u00e7aise.\u00a0 Plusieurs des amis de Goya, dont les po\u00e8tes Juan Mel\u00e9ndez Vald\u00e9s et Leandro Fern\u00e1ndez de Morat\u00edn, sont ouvertement \u00ab\u00a0afrancesados\u00a0\u00bb et soutiennent Bonaparte. Le portrait de Goya de\u00a0 l\u2019ambassadeur fran\u00e7ais devenu commandant Ferdinand Guillemardet en 1798\u00a0 trahit une admiration personnelle. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Un oficial\u00a0 de\u00a0 \u00ab\u00a0La Tesorer\u00eda de Fernando VII\u00a0\u00bb informa\u00a0 a Goya el 9 de marzo de 1814\u00a0 de la siguiente manera, a fin de que comenzara a trabajar cuanto antes en sus cuadros: \u00ab\u00a0En consideraci\u00f3n a la grande importancia de tan loable empresa y la notoria capacidad del dicho profesor para desempe\u00f1arla, ha tenido a bien admitir su propuesta y mandar en consecuencia que mientras el mencionado Dn. Francisco Goya est\u00e9 empleado en este trabajo, se le satisfaga por Tesorer\u00eda mayor, adem\u00e1s de lo que por sus cuentas resulte invertido en lienzos, aparejos y colores, la cantidad de mil y quinientos reales de vell\u00f3n mensuales por v\u00eda de compensaci\u00f3n.\u00a0\u00bb En 1867, dans ses m\u00e9moires de l’Acad\u00e9mie royale, Jos\u00e9 Caveda parle de 4 toiles de Goya sur le th\u00e8me\u00a0; Crist\u00f3bal Ferriz un artiste et un collectionneur de toiles de Goya mentionne \u00e9galement deux toiles additionnelles et pr\u00e9cise qu’il s’agirait d’une r\u00e9volte au palais Royal et de la d\u00e9fense de baraquements d’artillerie. La disparition de ces deux toiles pourrait indiquer un m\u00e9contentement officiel concernant la mani\u00e8re dont avait \u00e9t\u00e9 d\u00e9peinte l’insurrection populaire. En la d\u00e9cada de 1850\u00a0 el pintor Jos\u00e9 de Madrazo \u2014entonces director del Museo del Prado\u2014 puso en duda que Goya hubiese pintado este lienzo del 3 de mayo. Afirm\u00f3 que \u00abel cuadro es de calidad muy inferior a otros retratos del maestro Goya\u00bb…(?!) <\/p>\n","protected":false},"author":6,"featured_media":9313,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"\n
Goya et l'Hispaniarum et Indiarum Rex de 1808 \u00e0 1813. - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2018\/07\/23\/9306\/goya-lhispaniarum-indiarum-rex-de-1808-a-1813\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Goya et l'Hispaniarum et Indiarum Rex de 1808 \u00e0 1813. - Ceci n\u2019est pas un blog\" \/>\n<meta property=\"og:description\" content=\" \u00a0\u00ab\u00a0Las\u00a0 j\u00f3venes\u00a0\u00bb\u00a0o\u00a0\u00ab\u00a0La carta\u00a0\u00bb Poema pl\u00e1stico de 57 cm x 38 cm ***\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00ab\u00a0Les Jeunes\u00a0\u00bb ou \u00ab\u00a0Jeune femme lisant une lettre\u00a0\u00bb\u00a0 ou \u00ab\u00a0La Lettre\u00a0\u00bb\u00a0 \u00a0 \u00a0est l’une des huiles sur toile\u00a0 (181 cm x 125 cm)\u00a0 peintes par Francisco de Goya\u00a0 …en 1812?\u00a0 \u00a0Son style a\u00a0 clairement \u00e9volu\u00e9 vers les critiques de la vie sociale, les satires et un parti pris pour les Lumi\u00e8res.\u00a0 \u00a0Au premier plan, une aristocrate v\u00eatue \u00e0 la fa\u00e7on des \u00ab\u00a0majas\u00a0\u00bb lit oisivement une lettre sous une ombrelle port\u00e9e par une servante au second plan. Un petit chien \u00e0 ses pieds tente de la distraire. Au troisi\u00e8me plan, des lavandi\u00e8res travaillent en plein soleil.\u00a0 Le peintre insiste sur les in\u00e9galit\u00e9s sociales\u00a0; non seulement entre la protagoniste, uniquement pr\u00e9occup\u00e9e par ses histoires de c\u0153ur, et sa servante, qui la prot\u00e8ge avec une ombrelle, mais \u00e9galement vis-\u00e0-vis des lavandi\u00e8res en arri\u00e8re-plan, agenouill\u00e9es et expos\u00e9es au soleil. \u00ab\u00a0Expuestas a un sol de justicia\u00a0\u00bb. MAJA:\u00a0 \u00a0Aristocrate\u00a0 \u00a0qui\u00a0s’encanaille\u00a0 habill\u00e9e simplement comme une femme du peuple. \u00ab\u00a0Maja, mujer del pueblo\u00a0\u00bb\u00a0 \u00a0qui se distingue por un traje particular, par un port gracieux, par un costume particulier\u00a0 et par ses mani\u00e8res pleines de gr\u00e2ce. *** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00ab\u00a0…the unfinished work was discovered underneath Goya’s Portrait of Don Ramon Satue, using a new X-ray technique.\u00a0 The Rijksmuseum says the Spanish master may have covered up the portrait for political reasons.\u00a0 Joseph Bonaparte was briefly King of Spain, from 1808-1813.\u00a0When the Napoleonic army was driven out and Ferdinand VII restored to the throne, Goya, who retained the painting, would have wanted to distance himself from the French regime.\u00a0 \u00a0The artist had served the French king.\u00a0 Eventually, unhappy with Ferdinand VII’s autocratic regime, he applied for permission to settle in France, where he lived until his death in 1828.\u00a0 \u00a0The new painting was revealed using a technique developed by the University of Antwerp and the Delft University of Technology.\u00a0\u00a0According to the Rijksmuseum, the Goya painting is a formal portrait of a man wearing uniform.The detail on his face was never completed, but \u00ab\u00a0the decorations embellishing the uniform are those of the highest ranks of a chivalric order instituted by Joseph Bonaparte when his brother, the emperor Napoleon, created him King Of Spain\u00a0\u00bb.\u00a0 Only 15 generals, plus Joseph, were entitled to wear the uniform and medal, although so far it has proved impossible to pin down exactly which of them is depicted\u00a0 …\u00a0\u00bbGoya \u00e9tait le ‘peintre de la cour’\u00a0 de Joseph Bonaparte Hispaniarum et Indiarium Rex de 1808 \u00e0 1813…\u00a0\u00bb *** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00bfPor qu\u00e9 Goya pint\u00f3 los fusilamientos del 3 de mayo de 1808 en 1814?\u00a0 \u00a0\u00bfPor qu\u00e9\u00a0 los cuatro cuadros del\u00a0 \u00ab\u00a02 y 3 de mayo de 1808\u00a0\u00bb se redujeron a dos ?\u00a0 \u00a0 \u00a0 Durante los hechos\u00a0 sucedidos los 2 y 3 de mayo de 1808 Goya \u00bfera favorable\u00a0 \u00ab\u00a0aux\u00a0 lumi\u00e8res\u00a0\u00bb ? \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Comme d’autres lib\u00e9raux espagnols, Goya se retrouve en position d\u00e9licate, \u00e0 la suite de l’invasion fran\u00e7aise.\u00a0 Plusieurs des amis de Goya, dont les po\u00e8tes Juan Mel\u00e9ndez Vald\u00e9s et Leandro Fern\u00e1ndez de Morat\u00edn, sont ouvertement \u00ab\u00a0afrancesados\u00a0\u00bb et soutiennent Bonaparte. Le portrait de Goya de\u00a0 l\u2019ambassadeur fran\u00e7ais devenu commandant Ferdinand Guillemardet en 1798\u00a0 trahit une admiration personnelle. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Un oficial\u00a0 de\u00a0 \u00ab\u00a0La Tesorer\u00eda de Fernando VII\u00a0\u00bb informa\u00a0 a Goya el 9 de marzo de 1814\u00a0 de la siguiente manera, a fin de que comenzara a trabajar cuanto antes en sus cuadros: \u00ab\u00a0En consideraci\u00f3n a la grande importancia de tan loable empresa y la notoria capacidad del dicho profesor para desempe\u00f1arla, ha tenido a bien admitir su propuesta y mandar en consecuencia que mientras el mencionado Dn. Francisco Goya est\u00e9 empleado en este trabajo, se le satisfaga por Tesorer\u00eda mayor, adem\u00e1s de lo que por sus cuentas resulte invertido en lienzos, aparejos y colores, la cantidad de mil y quinientos reales de vell\u00f3n mensuales por v\u00eda de compensaci\u00f3n.\u00a0\u00bb En 1867, dans ses m\u00e9moires de l’Acad\u00e9mie royale, Jos\u00e9 Caveda parle de 4 toiles de Goya sur le th\u00e8me\u00a0; Crist\u00f3bal Ferriz un artiste et un collectionneur de toiles de Goya mentionne \u00e9galement deux toiles additionnelles et pr\u00e9cise qu’il s’agirait d’une r\u00e9volte au palais Royal et de la d\u00e9fense de baraquements d’artillerie. La disparition de ces deux toiles pourrait indiquer un m\u00e9contentement officiel concernant la mani\u00e8re dont avait \u00e9t\u00e9 d\u00e9peinte l’insurrection populaire. En la d\u00e9cada de 1850\u00a0 el pintor Jos\u00e9 de Madrazo \u2014entonces director del Museo del Prado\u2014 puso en duda que Goya hubiese pintado este lienzo del 3 de mayo. Afirm\u00f3 que \u00abel cuadro es de calidad muy inferior a otros retratos del maestro Goya\u00bb…(?!) \" \/>\n<meta property=\"og:url\" content=\"https:\/\/laregledujeu.org\/arrabal\/2018\/07\/23\/9306\/goya-lhispaniarum-indiarum-rex-de-1808-a-1813\/\" \/>\n<meta property=\"og:site_name\" content=\"Ceci n\u2019est pas un blog\" \/>\n<meta property=\"article:published_time\" content=\"2018-07-23T07:25:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-07-23T07:40:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/laregledujeu.org\/arrabal\/files\/2018\/07\/GOya-plastico-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2902\" \/>\n\t<meta property=\"og:image:height\" content=\"3743\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fernandoarrabal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"fernandoarrabal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture est.\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laregledujeu.org\/arrabal\/2018\/07\/23\/9306\/goya-lhispaniarum-indiarum-rex-de-1808-a-1813\/\",\"url\":\"https:\/\/laregledujeu.org\/arrabal\/2018\/07\/23\/9306\/goya-lhispaniarum-indiarum-rex-de-1808-a-1813\/\",\"name\":\"Goya et l'Hispaniarum et Indiarum Rex de 1808 \u00e0 1813. - 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Ceci n\u2019est pas un blog","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/laregledujeu.org\/arrabal\/2018\/07\/23\/9306\/goya-lhispaniarum-indiarum-rex-de-1808-a-1813\/","og_locale":"fr_FR","og_type":"article","og_title":"Goya et l'Hispaniarum et Indiarum Rex de 1808 \u00e0 1813. - Ceci n\u2019est pas un blog","og_description":" \u00a0\u00ab\u00a0Las\u00a0 j\u00f3venes\u00a0\u00bb\u00a0o\u00a0\u00ab\u00a0La carta\u00a0\u00bb Poema pl\u00e1stico de 57 cm x 38 cm ***\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00ab\u00a0Les Jeunes\u00a0\u00bb ou \u00ab\u00a0Jeune femme lisant une lettre\u00a0\u00bb\u00a0 ou \u00ab\u00a0La Lettre\u00a0\u00bb\u00a0 \u00a0 \u00a0est l’une des huiles sur toile\u00a0 (181 cm x 125 cm)\u00a0 peintes par Francisco de Goya\u00a0 …en 1812?\u00a0 \u00a0Son style a\u00a0 clairement \u00e9volu\u00e9 vers les critiques de la vie sociale, les satires et un parti pris pour les Lumi\u00e8res.\u00a0 \u00a0Au premier plan, une aristocrate v\u00eatue \u00e0 la fa\u00e7on des \u00ab\u00a0majas\u00a0\u00bb lit oisivement une lettre sous une ombrelle port\u00e9e par une servante au second plan. Un petit chien \u00e0 ses pieds tente de la distraire. Au troisi\u00e8me plan, des lavandi\u00e8res travaillent en plein soleil.\u00a0 Le peintre insiste sur les in\u00e9galit\u00e9s sociales\u00a0; non seulement entre la protagoniste, uniquement pr\u00e9occup\u00e9e par ses histoires de c\u0153ur, et sa servante, qui la prot\u00e8ge avec une ombrelle, mais \u00e9galement vis-\u00e0-vis des lavandi\u00e8res en arri\u00e8re-plan, agenouill\u00e9es et expos\u00e9es au soleil. \u00ab\u00a0Expuestas a un sol de justicia\u00a0\u00bb. MAJA:\u00a0 \u00a0Aristocrate\u00a0 \u00a0qui\u00a0s’encanaille\u00a0 habill\u00e9e simplement comme une femme du peuple. \u00ab\u00a0Maja, mujer del pueblo\u00a0\u00bb\u00a0 \u00a0qui se distingue por un traje particular, par un port gracieux, par un costume particulier\u00a0 et par ses mani\u00e8res pleines de gr\u00e2ce. *** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00ab\u00a0…the unfinished work was discovered underneath Goya’s Portrait of Don Ramon Satue, using a new X-ray technique.\u00a0 The Rijksmuseum says the Spanish master may have covered up the portrait for political reasons.\u00a0 Joseph Bonaparte was briefly King of Spain, from 1808-1813.\u00a0When the Napoleonic army was driven out and Ferdinand VII restored to the throne, Goya, who retained the painting, would have wanted to distance himself from the French regime.\u00a0 \u00a0The artist had served the French king.\u00a0 Eventually, unhappy with Ferdinand VII’s autocratic regime, he applied for permission to settle in France, where he lived until his death in 1828.\u00a0 \u00a0The new painting was revealed using a technique developed by the University of Antwerp and the Delft University of Technology.\u00a0\u00a0According to the Rijksmuseum, the Goya painting is a formal portrait of a man wearing uniform.The detail on his face was never completed, but \u00ab\u00a0the decorations embellishing the uniform are those of the highest ranks of a chivalric order instituted by Joseph Bonaparte when his brother, the emperor Napoleon, created him King Of Spain\u00a0\u00bb.\u00a0 Only 15 generals, plus Joseph, were entitled to wear the uniform and medal, although so far it has proved impossible to pin down exactly which of them is depicted\u00a0 …\u00a0\u00bbGoya \u00e9tait le ‘peintre de la cour’\u00a0 de Joseph Bonaparte Hispaniarum et Indiarium Rex de 1808 \u00e0 1813…\u00a0\u00bb *** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00bfPor qu\u00e9 Goya pint\u00f3 los fusilamientos del 3 de mayo de 1808 en 1814?\u00a0 \u00a0\u00bfPor qu\u00e9\u00a0 los cuatro cuadros del\u00a0 \u00ab\u00a02 y 3 de mayo de 1808\u00a0\u00bb se redujeron a dos ?\u00a0 \u00a0 \u00a0 Durante los hechos\u00a0 sucedidos los 2 y 3 de mayo de 1808 Goya \u00bfera favorable\u00a0 \u00ab\u00a0aux\u00a0 lumi\u00e8res\u00a0\u00bb ? \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Comme d’autres lib\u00e9raux espagnols, Goya se retrouve en position d\u00e9licate, \u00e0 la suite de l’invasion fran\u00e7aise.\u00a0 Plusieurs des amis de Goya, dont les po\u00e8tes Juan Mel\u00e9ndez Vald\u00e9s et Leandro Fern\u00e1ndez de Morat\u00edn, sont ouvertement \u00ab\u00a0afrancesados\u00a0\u00bb et soutiennent Bonaparte. Le portrait de Goya de\u00a0 l\u2019ambassadeur fran\u00e7ais devenu commandant Ferdinand Guillemardet en 1798\u00a0 trahit une admiration personnelle. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Un oficial\u00a0 de\u00a0 \u00ab\u00a0La Tesorer\u00eda de Fernando VII\u00a0\u00bb informa\u00a0 a Goya el 9 de marzo de 1814\u00a0 de la siguiente manera, a fin de que comenzara a trabajar cuanto antes en sus cuadros: \u00ab\u00a0En consideraci\u00f3n a la grande importancia de tan loable empresa y la notoria capacidad del dicho profesor para desempe\u00f1arla, ha tenido a bien admitir su propuesta y mandar en consecuencia que mientras el mencionado Dn. Francisco Goya est\u00e9 empleado en este trabajo, se le satisfaga por Tesorer\u00eda mayor, adem\u00e1s de lo que por sus cuentas resulte invertido en lienzos, aparejos y colores, la cantidad de mil y quinientos reales de vell\u00f3n mensuales por v\u00eda de compensaci\u00f3n.\u00a0\u00bb En 1867, dans ses m\u00e9moires de l’Acad\u00e9mie royale, Jos\u00e9 Caveda parle de 4 toiles de Goya sur le th\u00e8me\u00a0; Crist\u00f3bal Ferriz un artiste et un collectionneur de toiles de Goya mentionne \u00e9galement deux toiles additionnelles et pr\u00e9cise qu’il s’agirait d’une r\u00e9volte au palais Royal et de la d\u00e9fense de baraquements d’artillerie. La disparition de ces deux toiles pourrait indiquer un m\u00e9contentement officiel concernant la mani\u00e8re dont avait \u00e9t\u00e9 d\u00e9peinte l’insurrection populaire. En la d\u00e9cada de 1850\u00a0 el pintor Jos\u00e9 de Madrazo \u2014entonces director del Museo del Prado\u2014 puso en duda que Goya hubiese pintado este lienzo del 3 de mayo. Afirm\u00f3 que \u00abel cuadro es de calidad muy inferior a otros retratos del maestro Goya\u00bb…(?!) 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