For a list of performances, see Arrabal’s official website: \u00abDespite Arrabal’s protests to the contrary, his Panic Theory and his Panic Theatre place him within the avant-garde movement. Memory, chance, confusion, and the imagination are the touchstones of his Panic Theory. His plays contain each of these elements: memory leads to the use of the ritual; confusion and chance to the polymorphism of his characters; and the imagination finds its outlet in the surrealist and \u00ab\u00a0barroque\u00a0\u00bb aspects of his theatre. His use of ritual \u2014 a basic element of the contemporary avant-garde theatre \u2014 shows his debt to Antonin Artaud. As well, the Comic innocence of his theory, the use of the game to give structure to his plays and depth to his characters, the pseudo-mathematical formulae with which he draws the conclusions of his the\u00a0 New York, NY 10010\u00bb.<\/p>\n
Theatre\u00a0by Fernando Arrabal:
\nThe condemned man’s bicycle, the Labyrinth, Picnic on the Battlefield and Guernica.
\nBarbara Wright’s english translation your works
\nBlue Caterpillar Productions
\nEngelman Recital Hall at
\nBaruch Performing Arts Center
\nthe address of the Theatre is:
\n55 Lexington Ave,\u00a0LLC – New York, NY 10010<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Actualit\u00e9 Arrabalesque : quatre pi\u00e8ces de Fernando Arrabal traduites par Barbara Wright sont \u00e9tudi\u00e9es au Baruch Performing Arts Center de New York.<\/p>\n","protected":false},"author":6,"featured_media":8575,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[430],"tags":[6295,4192,608,35939,35821],"class_list":["post-8563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arrabalesques","tag-guernica","tag-le-labyrinthe","tag-new-york","tag-picnic-on-the-battlefield","tag-theatre"],"yoast_head":"\n