{"id":8494,"date":"2017-12-01T12:27:15","date_gmt":"2017-12-01T10:27:15","guid":{"rendered":"https:\/\/laregledujeu.org\/arrabal\/?p=8494"},"modified":"2017-12-01T16:57:42","modified_gmt":"2017-12-01T14:57:42","slug":"dali-vs-picasso-di-fernando-arrabal","status":"publish","type":"post","link":"https:\/\/laregledujeu.org\/arrabal\/2017\/12\/01\/8494\/dali-vs-picasso-di-fernando-arrabal\/","title":{"rendered":"\u00abDali vs Picasso\u00bb de Fernando Arrabal"},"content":{"rendered":"<p class=\"first-letter\">\u00abDali vs Picasso\u00bb de Fernando\u00a0 Arrabal \u00e0 partir du 9-XII-17 \u00e0 21h au th\u00e9\u00e2tre de \u00abLimonaia\u00a0di Sesto Fiorentino\u00bb \u00e0\u00a0Firenze.<\/p>\n<p>Sc\u00e9nographie : Cristin Conticelle<br \/>\n(d&rsquo;apr\u00e8s l&rsquo;id\u00e9e de Manola Nifosi)<br \/>\nCostumes: Alessandra Vandal\u00e0<br \/>\nAssistante r\u00e9gie: Brunella Settesoldi<br \/>\nR\u00e9gie : Manola Nifos\u00ec et Sergio Aguirre<\/p>\n<p>Avec :<br \/>\nElena Fabiani<br \/>\nLuigi Monticelli<br \/>\nManola Nifos\u00ec<br \/>\nSergio Aguirre<\/p>\n<hr \/>\n<p><em>\u00ab\u2026Dali vs. Picasso<\/em> est une oeuvre foudroyante, jubilatoire, appel\u00e9e humblement par son auteur Fernando Arrabal \u00ab dialogue \u00bb, une oeuvre qui sonne comme un cri m\u00e9chant, mais tendre, provocateur, mais hilarant, querelleur, mais po\u00e9tique. \u2026neuf mois apr\u00e8s le d\u00e9but de la Guerre Civile Espagnole, trois jours apr\u00e8s le bombardement de Guernica, dans la nuit du jeudi 29 avril\u00a01937 dans un grand salon parisien d\u00e9labr\u00e9 se retrouvent Salvador\u00a0Dali et Pablo Picasso. Au milieu du salon est accroch\u00e9 le tableau de\u00a0Dali <em>Composition molle aux haricots bouillis<\/em> (pr\u00e9monition de la\u00a0Guerre Civile), derri\u00e8re, tout au fond, on d\u00e9couvre une oeuvre de\u00a0Picasso qui deviendra par la suite <em>Guernica<\/em>. Dali et Picasso s\u2019entretiennent\u00a0du r\u00f4le des arts et de l\u2019artiste en temps de guerre, leur conversation\u00a0\u00e0 b\u00e2tons rompus est constamment interrompue par les\u00a0interventions cocasses de leurs deux femmes-complices Gala et\u00a0Dora. R\u00e9guli\u00e8rement Dora lance un couteau qui passe devant le nez\u00a0de Picasso atterr\u00e9, alors que Gala a une grande nouvelle \u00e0 annoncer\u2026\u00a0\u00a0 Fernando Arrabal est n\u00e9 au Maroc peu de temps avant la Guerre\u00a0Civile Espagnole. La condamnation \u00e0 mort de son p\u00e8re sous le r\u00e9gime\u00a0de Franco, commu\u00e9e en peine d\u2019emprisonnement \u00e0 vie, puis sa disparition\u00a0apr\u00e8s son \u00e9vasion de prison \u2013 ou plut\u00f4t d\u2019un asile dans lequel\u00a0il s\u2019est fait interner \u2013 marquera l\u2019oeuvre du dramaturge : il en fait \u00e9tat\u00a0dans plusieurs ouvrages, dont <em>Lettre \u00e0 Franco<\/em>, publi\u00e9 du vivant du\u00a0G\u00e9n\u00e9ral. En 1967, il est arr\u00eat\u00e9 pour avoir \u00e9crit une d\u00e9dicace \u00ab blasph\u00e9matoire \u00bb\u00a0envers le r\u00e9gime. Il doit sa lib\u00e9ration \u00e0 une campagne internationale. Auteur \u00e0 succ\u00e8s, cin\u00e9aste et peintre de talent, les recueils\u00a0de po\u00e8mes de Fernando Arrabal ont \u00e9t\u00e9 illustr\u00e9s par de grands artistes\u00a0internationaux, parmi lesquels Dali, Magritte, Picasso, Saura\u2026 Jou\u00e9e dans le monde entier, son abondante production th\u00e9\u00e2trale,\u00a0mystique et provocatrice, onirique et festive, est un m\u00e9lange baroque\u00a0de cruaut\u00e9 et de tendresse. Arrabal est peut-\u00eatre le dernier, en tout cas le plus ensorcelant repr\u00e9sentant\u00a0de cette g\u00e9n\u00e9ration exceptionnelle qui, entre surr\u00e9alisme, th\u00e9\u00e2tre\u00a0 et \u00e9criture contemporaine, a r\u00e9volutionn\u00e9 le monde\u00a0des arts et de la litt\u00e9rature&#8230;\u00bb<\/p>\n<hr \/>\n<p><strong>\u00ab&#8230;Fernando Arrabal\u00a0 <\/strong>dovevo arrivare , per vederne la versione pi\u00f9 bella! Una versione geniale. E\u2019 una prodigiosa realizzazione dove tutti e quattro i personaggi del mio testo sono uguali alla mia creazione ma completamente diversi.\u201d Un complimento importante, che vuole dire che ogni testo guadagna moltissimo quando gli attori e la realizzazione spingono forte sul tasto della teatralit\u00e0.\u00a0\u00a0 Siamo a Parigi 1937. Dal\u00ec e Picasso si confrontano in un dialogo teso e devastante sulle loro due opere emblematiche: \u2018<strong>Costruzione molle con fagioli bolliti\u2019<\/strong> di Dal\u00ec e <strong>\u2018Guernica\u2019<\/strong> di Picasso.\u00a0\u00a0 \u00c8 uno scontro fra titani. Uno scontro tra generazioni. Uno scontro fra padre e figlio. Dal\u00ec sceglie Picasso come padre, ne cerca l\u2019attenzione e il riconoscimento per poi poterlo \u201cuccidere\u201d, affascinato dal pensiero freudiano che vede un \u201ceroe\u201d in tutti coloro che \u201csi rivoltano contro l\u2019autorit\u00e0 paterna e la dominano\u201d. Lo scontro si materializza. Campo di battaglia \u00e8 l\u2019artista e il suo \u201cimpegno\u201d: opere che illustrano, documentano, denunciano didascalicamente; oppure opere che rappresentano, interpretano e traducono la realt\u00e0 in un linguaggio diverso e universale?\u00a0 Parlare del proprio tempo in una lingua fuori dal tempo, tanto da diventare \u201cpericolosi\u201d e \u201ccontro\u201d, in questa ambizione di eternit\u00e0.\u00a0 Le donne, che assistono, sembrano relegate al ruolo stereotipato e passivo di generatrici del desiderio, necessario alla creazione. Ma eccole dettare le regole del gioco, a cui tutti stanno partecipando pi\u00f9 o meno consapevoli, e la situazione si ribalta: <strong>Dora e Gala<\/strong>, come \u201cdeus ex machina\u201d, spostano le pedine sullo scacchiere.\u00a0\u00a0 Oltre alla Nifos\u00ec e ad Aguirre, che sono anche in scena, ci sono Elena Fabiani e Luigi Monticelli, quattro attori davvero in stato di grazia. Il lavoro \u00e8 un gioco scenico, realizzato a partire da alcune forme geometriche. Gli attori entrano ed escono rinunciando a quelle che potevano essere facili citazioni da opere ormai diventate patrimonio dell\u2019immaginario collettivo&#8230;.\u00a0\u00bb Ufficio Stampa Andrea Mancini\u00bb<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8496 size-large\" src=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/12\/DSC9150-620x414.jpg\" alt=\"\" width=\"620\" height=\"414\" srcset=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/12\/DSC9150-620x414.jpg 620w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/12\/DSC9150-300x200.jpg 300w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/12\/DSC9150-768x513.jpg 768w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/12\/DSC9150-840x561.jpg 840w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/12\/DSC9150-420x281.jpg 420w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abDali vs Picasso\u00bb de Fernando\u00a0 Arrabal sera jou\u00e9 \u00e0 Firenze \u00e0 partir du 09 d\u00e9cembre 2017.<\/p>\n","protected":false},"author":6,"featured_media":8495,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[430],"tags":[13946,81000,35821],"class_list":["post-8494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arrabalesques","tag-dali-vs-picasso","tag-firenze","tag-theatre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00abDali vs Picasso\u00bb de Fernando Arrabal<\/title>\n<meta name=\"description\" content=\"\u00abDali vs Picasso\u00bb de Fernando\u00a0 Arrabal sera jou\u00e9 \u00e0 Firenze \u00e0 partir du 09 d\u00e9cembre 2017.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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