{"id":8107,"date":"2017-07-31T02:14:40","date_gmt":"2017-07-31T00:14:40","guid":{"rendered":"https:\/\/laregledujeu.org\/arrabal\/?p=8107"},"modified":"2018-02-15T16:20:05","modified_gmt":"2018-02-15T14:20:05","slug":"new-york-jardin-delices-darrabal-metteuse-scene-maria-swisher","status":"publish","type":"post","link":"https:\/\/laregledujeu.org\/arrabal\/2017\/07\/31\/8107\/new-york-jardin-delices-darrabal-metteuse-scene-maria-swisher\/","title":{"rendered":"\u00abLe jardin des d\u00e9lices\u00bb d&rsquo;Arrabal, mise en sc\u00e8ne Maria Swisher (New York)"},"content":{"rendered":"<h2><a href=\"http:\/\/www.plaxall.com\/\" target=\"_blank\" rel=\"noopener\">The Plaxall<\/a>: \u201c<em>The Garden of Delights<\/em>\u201d by Fernando Arrabal (directed by Maria Swisher).<\/h2>\n<p class=\"first-letter\">Since July the 29th of this year, the New York scene brings up the unexpected offer in English of the play \u201c<em>The Garden of Delights<\/em>\u201d written by Fernando Arrabal, this time\u00a0directed by Maria Swisher.<\/p>\n<p>At the Plaxall Theatre\u2019s, on Friday evening, the audience who attended the Premiere seemed to be shocked by \u201cthat unique theatrical experience\u201d. A game based upon the relationships \u201cbetween a woman with a woman, precisely today and now\u201d<\/p>\n<p>And yet the play was written half a century ago, during the stay of Fernando Arrabal in the Madrid Prison of Carabanchel. \u201c<em>The Garden of Delights<\/em>\u201d\u00a0explores the practice of love through the fantastic journey, Jerome Bosch \u2013 look-alike, of its two protagonists.<\/p>\n<p>In the play, we attend the paradisiacal and infernal games of the two protagonists. With the fantasy of the poetically phenomenal. The work finds inspiration in Bosch\u2019s triptych. In spite of having been represented often internationally it was not released in Spain until the year 2011.<\/p>\n<p>The multifaceted poet and filmmaker came as a spectator to the Premiere performance on Friday. The collective \u201cArtists of the City\u201d (LIC-A) has prepared a thematic sample upon the production of the show, which is exhibited in the same space. Fernando Arrabal (Melilla, 1932), is an incombustible poet and artist. He occupies some room of a central\u00a0New York hotel. At his feet Times Square and the giant hands of a poet as \u201ccolossal as dazzling\u201d. Close to the age of 85, Arrabal says: \u201cThese women and men, those titans, who chose exile and who collaborated with Surrealism or with Dadaism or with Pataphysics to make a different world\u2026 and a better one?\u201d.<\/p>\n<p>Arrabal comes back to New York after a cardiovascular crisis in 2013. And now, as per usual, he walks the streets and avenues of the big city, reasonless, spontaneous, playing it by ear. He wears a T-shirt with his image inserted in a Courbet painting (\u201c<em>The Origin of the World<\/em>\u201d). Until 2013, Arrabal would travel to New York every year. In 1959 he first received a scholarship from the Ford Foundation as one of the six young promising writers of the European literature along with Tomlinson, Hugo Claus, Gunter Gras or Italo Calvino.<\/p>\n<p>The extensive and prolific professional way followed by the surrealistic, pataphysical and later founder of the Panic Theater, makes him a key figure in the cultural history of the 20th century. But Arrabal refuses to be compared with Duchamp, Dal\u00ed, Breton, Tzara, Warhol, Beckett and all those great artists with whom he used to share friendship and creative space..\u201cThey thought that probably posterity would not mention anything concerning their works. In my modest case, will they only refer to \u2018Millennialism\u2019?\u201d<\/p>\n<p>The plot of the \u201c<em>The Garden of Delights<\/em>\u201d is engaging. There are different degrees in it, several galaxies or paradises. If the art of poetry is ambiguity raised to the level of dreams or nightmares \u2013 and, maybe as matter of fact, this is the case \u2013 then this work is the most poetic that one can imagine.<\/p>\n<p>Language floats, jumps and twinkles. The play was translated by Helen Gary who, it is plain to see, has done an excellent job. There is a dazzling madness of words crossing the ethereal: like diamond stars.<\/p>\n<p>The piece as a confrontation takes place in an hellish Eden. Conflicts and love are the symbols of the human condition at its creative level. \u201cOr, perhaps the way we all are to ourselves our own message. We think to ourselves that in all of us there is a La\u00efs, someone who needs to construct and control. And a woman who needs to destroy.\u201d<\/p>\n<p>As polyhedral as enigmatic, the sub-universe is a world dominated by poetry, play, representation. He dodges when he has to answer the question of who is behind the writer. \u201cEven today my colleagues come to see me as if I were only the son of my father. Many when they pay me homage actually honor the condemned to death.\u201d<\/p>\n<p>Poet and passionate of chess supports the idea that world-wide creation is doing very well, as obviously the Spanish one. \u201cSome say the same thing just like Quevedo: &lsquo;I looked at the walls of my city.&rsquo; And these Quevedo people only see excrement, destruction and disappointment\u201d. But perhaps everyone like Quevedo does not want to admit that they live side by side with Cervantes, Tirso, Lope or G\u00f3ngora.<\/p>\n<p>Nobody has gone that far (according to my experience) nor has any other playwright ever succeeded in introducing this restless and tidy cataclysm on stage. This meteoric instant. With the grace of the fantastic and the rough of the real.<\/p>\n<p>Regarding to what he still has to say and do as an artist, Fernando Arrabal tells: \u201cI am afraid that as for everything else I have left to do, I am running out of time. Since I am but a maker\u201d. What I wish is that, here and from now on, \u201c<em>The Garden of Delights<\/em>\u201d shall: continue to be a sapphic, surrealistic, pataphysical, Panic and Dadaist party in the heart of the Big Apple.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_8119\" aria-describedby=\"caption-attachment-8119\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8119 size-medium\" src=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/071AEBCA-0F3A-4D69-9C50-3C54B0DDE95D-2-300x169.jpeg\" alt=\"Tana Sirois dans le court-m\u00e9trage de la Cie Dirt [Contained], pr\u00e9sentant la pi\u00e8ce \u00abLe jardin des d\u00e9lices\u00bb.\" width=\"300\" height=\"169\" srcset=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/071AEBCA-0F3A-4D69-9C50-3C54B0DDE95D-2-300x169.jpeg 300w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/071AEBCA-0F3A-4D69-9C50-3C54B0DDE95D-2-768x432.jpeg 768w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/071AEBCA-0F3A-4D69-9C50-3C54B0DDE95D-2-620x349.jpeg 620w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/071AEBCA-0F3A-4D69-9C50-3C54B0DDE95D-2-840x473.jpeg 840w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/071AEBCA-0F3A-4D69-9C50-3C54B0DDE95D-2.jpeg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-8119\" class=\"wp-caption-text\">Tana Sirois dans le court-m\u00e9trage de la Cie Dirt [Contained], pr\u00e9sentant la pi\u00e8ce \u00abLe jardin des d\u00e9lices\u00bb.<\/figcaption><\/figure>\n<p><span style=\"color: #000000\"><em>Directed by Maria Swisher the play is carried out by Tana Sirois (La\u00efs), Maria Swisher (Miharca), Olivier Rinaud and Adam Giannonne.<\/em><\/span><\/p>\n<p><span style=\"color: #000000\"><em>Characters were created half a century ago in the Th\u00e9\u00e2tre Antoine de Paris by Delphine Seyrig, Marpessa Dawn, Bernard Fresson and Jean-Claude Drouot.<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_8702\" aria-describedby=\"caption-attachment-8702\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8702 size-large\" src=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal-620x349.jpg\" alt=\"Affiche pour \u00abLe jardin des d\u00e9lices\u00bb, mis en sc\u00e8ne par Maria Swisher et jou\u00e9 dans la gallerie \u00abPlaxall\u00bb \u00e0 New York.\" width=\"620\" height=\"349\" srcset=\"https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal-620x349.jpg 620w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal-300x169.jpg 300w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal-768x432.jpg 768w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal-840x473.jpg 840w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal-420x236.jpg 420w, https:\/\/laregledujeu.org\/arrabal\/files\/2017\/07\/garden-of-delights-fernando-arrabal.jpg 1552w\" sizes=\"(max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-8702\" class=\"wp-caption-text\">Affiche pour \u00abLe jardin des d\u00e9lices\u00bb, mis en sc\u00e8ne par Maria Swisher et jou\u00e9 dans la gallerie \u00abPlaxall\u00bb \u00e0 New York.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2>\u201c<em>El jard\u00edn de las delicias<\/em>\u201d de Fernando Arrabal (direcci\u00f3n de Maria Swisher).<\/h2>\n<p class=\"first-letter\">La escena de Nueva York cuenta desde el viernes 29 de julio con la inesperada propuesta en ingl\u00e9s de la obra \u201c<em>El Jard\u00edn de las delicias<\/em>\u201d de Fernando Arrabal, bajo la direcci\u00f3n de Maria Swisher.<\/p>\n<p>Cuando la noche del viernes en el teatro The Plaxall se vivi\u00f3 el estreno los espectadores parecieron \u201cconmocionados por tan singular experiencia teatral\u201d. Una obra que trata de las relaciones \u201cde la mujer con la mujer precisamente hoy y ahora\u201d.<\/p>\n<p>Y sin embargo la obra fue escrita hace medio siglo, durante la estancia de Arrabal en la c\u00e1rcel madrile\u00f1a de Carabanchel . \u201c<em>El Jard\u00edn de las delicias<\/em>\u201d explora la practica del amor a trav\u00e9s del viaje fant\u00e1stico, a lo Jer\u00f3nimo El Bosco, de sus dos protagonistas.<\/p>\n<p>En la obra asistimos a las juegos paradisiacos e infernales de las dos protagonistas. Con la fantas\u00eda de lo po\u00e9ticamente fenomenal.<\/p>\n<p>La obra encuentra inspiraci\u00f3n en el tr\u00edptico de El Bosco. A pesar de haber sido representada a menudo internacionalmente no se estren\u00f3 en Espa\u00f1a hasta el a\u00f1o 2011.<\/p>\n<p>El polifac\u00e9tico poeta y cineasta acudi\u00f3 como espectador a la funci\u00f3n del estreno el viernes. El colectivo Artistas de la City (LIC-A por sus siglas en ingl\u00e9s) ha preparado una muestra tem\u00e1tica sobre la producci\u00f3n del espect\u00e1culo, que se exhibe en el mismo espacio. Fernando Arrabal (Melilla, 1932), es un poeta y artista incombustible. Se hospeda en la habitaci\u00f3n de un c\u00e9ntrico hotel neoyorquino . A sus pies Times Square y la manos gigantes de una poeta \u201ccolosal como el deslumbramiento\u201d. A punto de cumplir los 85 a\u00f1os, Arrabal afirma: \u00ab Fueron realmente maravillosos esas mujeres y hombres, esos titanes, que eligieron el destierro y que colaboraron con el surrealismo o con dada o con la pataf\u00edsica para hacer un mundo diferente \u00bfy mejor?\u00bb.<\/p>\n<p>Arrabal regresa a Nueva York despu\u00e9s de la crisis cardiovascular de 2013. Y ahora, como siempre, recorre las calles y avenidas de la gran ciudad \u201ca lo loco\u201d, a lo espontaneo, a lo s\u00fabito. Luce una camiseta con su imagen inserta en un cuadro de Courbet. (\u201cEl origen del mundo\u201d). Hasta 2013 Arrabal viajaba todos los a\u00f1os a Nueva York. En 1959 lleg\u00f3 por primera vez becado por la Fundaci\u00f3n Ford como una de las seis j\u00f3venes promesas de la literatura europea con Tomlinson, Hugo Claus, Gunter Gras o Italo Calvino.<\/p>\n<p>La extensa y prol\u00edfica trayectoria profesional del porta surrealista, pataf\u00edsico y m\u00e1s tarde fundador del Teatro P\u00e1nico, lo convierte en una figura clave de la historia cultural del siglo XX. Pero Arrabal reh\u00fasa medirse con Duchamp, Dal\u00ed, Breton, Tzara, Warhol, Beckett y todos aquellos grandes artistas con los que comparti\u00f3 amistad y espacio creativo. \u00abEllos pensaron que probablemente que la posteridad no hablar\u00eda de sus obras. En mi modesto caso \u00bfsolo se referir\u00e1n Milenarismo?\u00bb.<\/p>\n<p>\u201cEl trama del \u201c<em>Jard\u00edn de las delicias<\/em>\u201d es embrujador. Hay diferentes grados en \u00e9l, diversos galaxias o para\u00edsos. Si el arte de la poes\u00eda es la ambig\u00fcedad elevada al nivel de sue\u00f1os o pesadillas &#8211; y, dicho sea de paso, este es el caso- entonces esta obra \u00bfes la m\u00e1s po\u00e9tica que se pueda imaginar\u201d.<\/p>\n<p>El lenguaje flota, salta y centellea. La obra ha sido traducido por Helen Gary: con toda evidencia ha hecho un excelente trabajo. Hay una deslumbrante locura de palabras cruzando lo et\u00e9reo : como estrellas de diamantes.<\/p>\n<p>La pieza como una confrontaci\u00f3n se desarrolla en un ed\u00e9n\/infierno. Los conflictos y el amor son los s\u00edmbolos de la condici\u00f3n humana a su nivel creador. \u201cO, quiz\u00e1 el modo en que todos, nosotros somos nuestro propio mensaje. Nos decimos que en todos nosotros hay una Lais alguien que necesita construir y controlar. Y una mujer que necesita destruir .\u201d<\/p>\n<p>Tan poli\u00e9drico como enigm\u00e1tico, el universo arrabalesco es un mundo dominado por la poes\u00eda, el juego, la representaci\u00f3n . Se esquiva a la hora de tener que responder a la pregunta de saber qui\u00e9n hay detr\u00e1s del escritor . \u201cA\u00fan hoy mis colegas vienen a verme como si yo fuera solo el hijo de mi padre. Muchos cuando me rinden homenaje en realidad honran al condenado a muerte\u201d.<\/p>\n<p>Poeta y apasionado de ajedrez defiende la buena salud de la creaci\u00f3n mundial y obviamente de la espa\u00f1ola. \u201cMuchos dicen lo mismo que Quevedo: &lsquo;Mir\u00e9 los muros de la patria m\u00eda&rsquo;. Y solo ven excrementos , destrucci\u00f3n y desencantos.\u201d Pero quiz\u00e1s todos como Quevedo no quieren comprobar que viven codo con codo con Cervantes, Tirso, Lope o G\u00f3ngora\u201d.<\/p>\n<p>\u201cNadie ha ido tan lejos (seg\u00fan mi experiencia) ni ning\u00fan otro dramaturgo ha logrado antes presentar este cataclismo trepidante y ordenado en las tablas. Este mete\u00f3rico instante. Con la gracia de lo fant\u00e1stico y la corteza de lo real\u201d.<\/p>\n<p>Sobre lo que a\u00fan le queda por decir y hacer como artista, Fernando Arrabal afirma: \u201cTengo la impresi\u00f3n de que no me queda tiempo, de realizar lo mucho de lo que aun me queda por hacer. Pues solo soy un hacedor\u201d. Lo que deseo es que, aqu\u00ed y ahora,\u201c<em>El Jard\u00edn de las delicias<\/em>\u201d : \u201csiga siendo una fiesta s\u00e1fica, surrealista, pataf\u00edsica, p\u00e1nica y dada\u00edsta en el coraz\u00f3n de la Gran Manzana\u201d.<\/p>\n<p><em>Bajo la direcci\u00f3n de Maria Shiver la obra esta protagonizada por Tana Sirois (Lais), Maria Shiver (Miharca), Olivier Rinaud y Adam Giannonne.<\/em><\/p>\n<p><em>Personajes que fueron creados hace medio siglo en el Th\u00e9\u00e2tre Antoine de Par\u00eds por Delphine Seyring, Marpessa Dawn , Berard Fresson et Jean-Claude Druot.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un demi-si\u00e8cle apr\u00e8s sa cr\u00e9ation, \u00abLe jardin des d\u00e9lices\u00bb d&rsquo;Arrabal \u00e9merveille toujours le public. Cet \u00e9t\u00e9 dans une mise en sc\u00e8ne de Maria Swisher (NY).<\/p>\n","protected":false},"author":6,"featured_media":8109,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[430,361],"tags":[71679,73845,608,35821],"class_list":["post-8107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arrabalesques","category-theatre","tag-le-jardin-des-delices","tag-maria-swisher","tag-new-york","tag-theatre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00abLe jardin des d\u00e9lices\u00bb d&#039;Arrabal, mise en sc\u00e8ne Maria Swisher (New York)<\/title>\n<meta name=\"description\" content=\"Un demi-si\u00e8cle apr\u00e8s sa cr\u00e9ation, \u00abLe jardin des d\u00e9lices\u00bb d&#039;Arrabal \u00e9merveille toujours le public. 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