{"id":4781,"date":"2014-07-30T16:19:08","date_gmt":"2014-07-30T14:19:08","guid":{"rendered":"https:\/\/laregledujeu.org\/arrabal\/?p=4781"},"modified":"2015-08-19T00:33:46","modified_gmt":"2015-08-18T22:33:46","slug":"arrabal-in-japon","status":"publish","type":"post","link":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/","title":{"rendered":"Arrabal in Japon"},"content":{"rendered":"

\u00ab\u00a0…foto \u201cpartita a flipper\u00a0\u00bb…Giappone…\u00a0 dove stiamo provando \u201cL\u2019Architetto e l\u2019Imperatore d\u2019Assiria\u201d.<\/p>\n

Debutto il 23\u00a0 agosto\u00a0\u00bb: Sebastian<\/p>\n

Mattia Sebastian<\/h2>\n

directed in Japon<\/h2>\n

THE ARCHITECT AND THE EMPEROR OF ASSYRIA<\/h2>\n

by Fernando Arrabal<\/h2>\n

ARRABAL IN GIAPPONE<\/p>\n

THE ARCHITECT AND THE EMPEROR OF ASSYRIA
\n(L\u2019ARCHITETTO E L\u2019IMPERATORE D\u2019ASSIRIA)<\/p>\n

by Fernando Arrabal<\/p>\n

directed by Mattia Sebastian<\/p>\n

performed in seven languages<\/p>\n

I-SCOT International Suzuki Company of\u00a0 Toga
\nproducted by SCOT
\nKyu Toga Sambo. Toga Mura Arts Park, Japan
\njanuary 2014 \u2013 august 2014 Rock Theatre \u2013 Open Air<\/p>\n

with<\/p>\n

Jingsheng Gu (China),<\/p>\n

Daisuke Ueta (Japan)
\nAgnia Leonova (Lithuania) ,<\/p>\n

Shy Magasalin (Australia),<\/p>\n

Chiara Nanti (Italy),<\/p>\n

Gaia Rosberg (Denmark) ,<\/p>\n

Kameron Steele (U.S.A.) ,<\/p>\n

Yan Yan Zhou (China)<\/p>\n

light design Makoto Niuwa<\/p>\n

costumes Toshimi Mitsuda<\/p>\n

In this ingenious and poetic play, The Emperor of Assyria lands on a tropical isle that is deserted except for one man \u2013 the Architect.
\nThe Emperor teaches the Architect his language and regales him with stories of his formar life and language \u2013 his beautiful fiancee, his literary works, his\u00a0 fourteen secretaries, his narcissism empire. The Architect receives the information and knowledge the Emperors offers, and learn to be a \u201ccivilized\u201d man.\u00a0 The fantasies they\u00a0 act out together expose the quality of such civilization. The Emperor decides that he must stan trial for his guilty past, and the Architect acts as judge.
\nWhen the Emperor is inevitably condemned to death, his last request is that he be eaten after execution.<\/p>\n

\u201cNothing is human if it is not confused and I do a realistic theater\u00a0 that rappresent this situation\u201d<\/p>\n

Disorientation, therefore, seems to be the fundamental goal of the works of Arrabal.
\nWhich needs a theater of situation, circular, without end, without plot, in which the characters are polymorphic; mingle with one another, disguise them self, change sex, role.\u00a0 Cannibalize their identity to neutralize its self and as a paradox they want to be up to the other one. With no end game: the end of this work concerns the beginning.<\/p>\n

A \u201cpanic theater\u201d, as Arrabal called:\u00a0 subversive, poetic, erotic ritual that unfolds between the sacred, the profane, tragedy, farce, obscenity, love and cruelty because \u201cthere is too tragic for it to be taken seriously\u201d.<\/p>\n

In this staging we face seven architects and seven emperors who mix, boosting even more the labyrinth built by Arrabal so that the \u2018confusion\u2019 is the most important focus.
\nThe human being is lost in an existence that does not understand, linked to a moral impenetrable and incomprehensible to him. This disconnection with nature generates the \u201cchaos\u201d within us, and it spreads all over the world.<\/p>\n

The relationship between the Architect and the Emperor is on a topic dear to Beckett, the time and the perpetrator-victim relationship, namely that important \u201cdear enemy\u201d with whom we share our existence.
\n\u201cWe\u2019re not tied?\u201d asked Estragon in \u2018Waiting for Godot\u2019.
\n\u201cBound?\u201d Wladimiro replied, \u201cYes, yes tied, tied to your God!\u201d<\/p>\n

By identifying the word god with any theme (family, religious, political, sexual, consumerist, mythological, ect) we can safely say that we are \u201ctied\u201d.<\/p>\n

\u201cWe will be the last men in chains. The inquisitions go to pieces. The terror and intolerance will cease for centuries \u2026 \u201d
\nWe are thus faced with a dream, the dream of Arrabal.<\/p>\n

Mattia Sebastian<\/p>\n

_______________________________<\/p>\n

Tweets \u00a0\u00a0\u00a0 \u200f@<\/span>arrabalf\u00a0 = <\/a><\/p>\n

autre arrabalesque:\u00a0 \u2026\u00e0 part le vice rien de plus excitant que la vertu<\/p>\n

otro arrabalesco: \u2026salvo el vicio nada mas excitante que la virtud<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0…foto \u201cpartita a flipper\u00a0\u00bb…Giappone…\u00a0 dove stiamo provando \u201cL\u2019Architetto e l\u2019Imperatore d\u2019Assiria\u201d. Debutto il 23\u00a0 agosto\u00a0\u00bb: Sebastian Mattia Sebastian directed in Japon THE ARCHITECT AND THE EMPEROR OF ASSYRIA by Fernando Arrabal ARRABAL IN GIAPPONE THE ARCHITECT AND THE EMPEROR OF ASSYRIA (L\u2019ARCHITETTO E L\u2019IMPERATORE D\u2019ASSIRIA) by Fernando Arrabal directed by Mattia Sebastian performed in seven languages I-SCOT International Suzuki Company of\u00a0 Toga producted by SCOT Kyu Toga Sambo. Toga Mura Arts Park, Japan january 2014 \u2013 august 2014 Rock Theatre \u2013 Open Air with Jingsheng Gu (China), Daisuke Ueta (Japan) Agnia Leonova (Lithuania) , Shy Magasalin (Australia), Chiara Nanti (Italy), Gaia Rosberg (Denmark) , Kameron Steele (U.S.A.) , Yan Yan Zhou (China) light design Makoto Niuwa costumes Toshimi Mitsuda In this ingenious and poetic play, The Emperor of Assyria lands on a tropical isle that is deserted except for one man \u2013 the Architect. The Emperor teaches the Architect his language and regales him with stories of his formar life and language \u2013 his beautiful fiancee, his literary works, his\u00a0 fourteen secretaries, his narcissism empire. The Architect receives the information and knowledge the Emperors offers, and learn to be a \u201ccivilized\u201d man.\u00a0 The fantasies they\u00a0 act out together expose the quality of such civilization. The Emperor decides that he must stan trial for his guilty past, and the Architect acts as judge. When the Emperor is inevitably condemned to death, his last request is that he be eaten after execution. \u201cNothing is human if it is not confused and I do a realistic theater\u00a0 that rappresent this situation\u201d Disorientation, therefore, seems to be the fundamental goal of the works of Arrabal. Which needs a theater of situation, circular, without end, without plot, in which the characters are polymorphic; mingle with one another, disguise them self, change sex, role.\u00a0 Cannibalize their identity to neutralize its self and as a paradox they want to be up to the other one. With no end game: the end of this work concerns the beginning. A \u201cpanic theater\u201d, as Arrabal called:\u00a0 subversive, poetic, erotic ritual that unfolds between the sacred, the profane, tragedy, farce, obscenity, love and cruelty because \u201cthere is too tragic for it to be taken seriously\u201d. In this staging we face seven architects and seven emperors who mix, boosting even more the labyrinth built by Arrabal so that the \u2018confusion\u2019 is the most important focus. The human being is lost in an existence that does not understand, linked to a moral impenetrable and incomprehensible to him. This disconnection with nature generates the \u201cchaos\u201d within us, and it spreads all over the world. The relationship between the Architect and the Emperor is on a topic dear to Beckett, the time and the perpetrator-victim relationship, namely that important \u201cdear enemy\u201d with whom we share our existence. \u201cWe\u2019re not tied?\u201d asked Estragon in \u2018Waiting for Godot\u2019. \u201cBound?\u201d Wladimiro replied, \u201cYes, yes tied, tied to your God!\u201d By identifying the word god with any theme (family, religious, political, sexual, consumerist, mythological, ect) we can safely say that we are \u201ctied\u201d. \u201cWe will be the last men in chains. The inquisitions go to pieces. The terror and intolerance will cease for centuries \u2026 \u201d We are thus faced with a dream, the dream of Arrabal. Mattia Sebastian _______________________________ Tweets \u00a0\u00a0\u00a0 \u200f@arrabalf\u00a0 = autre arrabalesque:\u00a0 \u2026\u00e0 part le vice rien de plus excitant que la vertu otro arrabalesco: \u2026salvo el vicio nada mas excitante que la virtud<\/p>\n","protected":false},"author":6,"featured_media":4790,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"\nArrabal in Japon - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arrabal in Japon - Ceci n\u2019est pas un blog\" \/>\n<meta property=\"og:description\" content=\"\u00ab\u00a0…foto \u201cpartita a flipper\u00a0\u00bb…Giappone…\u00a0 dove stiamo provando \u201cL\u2019Architetto e l\u2019Imperatore d\u2019Assiria\u201d. Debutto il 23\u00a0 agosto\u00a0\u00bb: Sebastian Mattia Sebastian directed in Japon THE ARCHITECT AND THE EMPEROR OF ASSYRIA by Fernando Arrabal ARRABAL IN GIAPPONE THE ARCHITECT AND THE EMPEROR OF ASSYRIA (L\u2019ARCHITETTO E L\u2019IMPERATORE D\u2019ASSIRIA) by Fernando Arrabal directed by Mattia Sebastian performed in seven languages I-SCOT International Suzuki Company of\u00a0 Toga producted by SCOT Kyu Toga Sambo. Toga Mura Arts Park, Japan january 2014 \u2013 august 2014 Rock Theatre \u2013 Open Air with Jingsheng Gu (China), Daisuke Ueta (Japan) Agnia Leonova (Lithuania) , Shy Magasalin (Australia), Chiara Nanti (Italy), Gaia Rosberg (Denmark) , Kameron Steele (U.S.A.) , Yan Yan Zhou (China) light design Makoto Niuwa costumes Toshimi Mitsuda In this ingenious and poetic play, The Emperor of Assyria lands on a tropical isle that is deserted except for one man \u2013 the Architect. The Emperor teaches the Architect his language and regales him with stories of his formar life and language \u2013 his beautiful fiancee, his literary works, his\u00a0 fourteen secretaries, his narcissism empire. The Architect receives the information and knowledge the Emperors offers, and learn to be a \u201ccivilized\u201d man.\u00a0 The fantasies they\u00a0 act out together expose the quality of such civilization. The Emperor decides that he must stan trial for his guilty past, and the Architect acts as judge. When the Emperor is inevitably condemned to death, his last request is that he be eaten after execution. \u201cNothing is human if it is not confused and I do a realistic theater\u00a0 that rappresent this situation\u201d Disorientation, therefore, seems to be the fundamental goal of the works of Arrabal. Which needs a theater of situation, circular, without end, without plot, in which the characters are polymorphic; mingle with one another, disguise them self, change sex, role.\u00a0 Cannibalize their identity to neutralize its self and as a paradox they want to be up to the other one. With no end game: the end of this work concerns the beginning. A \u201cpanic theater\u201d, as Arrabal called:\u00a0 subversive, poetic, erotic ritual that unfolds between the sacred, the profane, tragedy, farce, obscenity, love and cruelty because \u201cthere is too tragic for it to be taken seriously\u201d. In this staging we face seven architects and seven emperors who mix, boosting even more the labyrinth built by Arrabal so that the \u2018confusion\u2019 is the most important focus. The human being is lost in an existence that does not understand, linked to a moral impenetrable and incomprehensible to him. This disconnection with nature generates the \u201cchaos\u201d within us, and it spreads all over the world. The relationship between the Architect and the Emperor is on a topic dear to Beckett, the time and the perpetrator-victim relationship, namely that important \u201cdear enemy\u201d with whom we share our existence. \u201cWe\u2019re not tied?\u201d asked Estragon in \u2018Waiting for Godot\u2019. \u201cBound?\u201d Wladimiro replied, \u201cYes, yes tied, tied to your God!\u201d By identifying the word god with any theme (family, religious, political, sexual, consumerist, mythological, ect) we can safely say that we are \u201ctied\u201d. \u201cWe will be the last men in chains. The inquisitions go to pieces. The terror and intolerance will cease for centuries \u2026 \u201d We are thus faced with a dream, the dream of Arrabal. Mattia Sebastian _______________________________ Tweets \u00a0\u00a0\u00a0 \u200f@arrabalf\u00a0 = autre arrabalesque:\u00a0 \u2026\u00e0 part le vice rien de plus excitant que la vertu otro arrabalesco: \u2026salvo el vicio nada mas excitante que la virtud\" \/>\n<meta property=\"og:url\" content=\"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/\" \/>\n<meta property=\"og:site_name\" content=\"Ceci n\u2019est pas un blog\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-30T14:19:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-08-18T22:33:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/laregledujeu.org\/arrabal\/files\/2014\/07\/Sans-titre-LITTLE.png\" \/>\n\t<meta property=\"og:image:width\" content=\"711\" \/>\n\t<meta property=\"og:image:height\" content=\"430\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"fernandoarrabal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"fernandoarrabal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture est.\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/\",\"url\":\"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/\",\"name\":\"Arrabal in Japon - 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Debutto il 23\u00a0 agosto\u00a0\u00bb: Sebastian Mattia Sebastian directed in Japon THE ARCHITECT AND THE EMPEROR OF ASSYRIA by Fernando Arrabal ARRABAL IN GIAPPONE THE ARCHITECT AND THE EMPEROR OF ASSYRIA (L\u2019ARCHITETTO E L\u2019IMPERATORE D\u2019ASSIRIA) by Fernando Arrabal directed by Mattia Sebastian performed in seven languages I-SCOT International Suzuki Company of\u00a0 Toga producted by SCOT Kyu Toga Sambo. Toga Mura Arts Park, Japan january 2014 \u2013 august 2014 Rock Theatre \u2013 Open Air with Jingsheng Gu (China), Daisuke Ueta (Japan) Agnia Leonova (Lithuania) , Shy Magasalin (Australia), Chiara Nanti (Italy), Gaia Rosberg (Denmark) , Kameron Steele (U.S.A.) , Yan Yan Zhou (China) light design Makoto Niuwa costumes Toshimi Mitsuda In this ingenious and poetic play, The Emperor of Assyria lands on a tropical isle that is deserted except for one man \u2013 the Architect. The Emperor teaches the Architect his language and regales him with stories of his formar life and language \u2013 his beautiful fiancee, his literary works, his\u00a0 fourteen secretaries, his narcissism empire. The Architect receives the information and knowledge the Emperors offers, and learn to be a \u201ccivilized\u201d man.\u00a0 The fantasies they\u00a0 act out together expose the quality of such civilization. The Emperor decides that he must stan trial for his guilty past, and the Architect acts as judge. When the Emperor is inevitably condemned to death, his last request is that he be eaten after execution. \u201cNothing is human if it is not confused and I do a realistic theater\u00a0 that rappresent this situation\u201d Disorientation, therefore, seems to be the fundamental goal of the works of Arrabal. Which needs a theater of situation, circular, without end, without plot, in which the characters are polymorphic; mingle with one another, disguise them self, change sex, role.\u00a0 Cannibalize their identity to neutralize its self and as a paradox they want to be up to the other one. With no end game: the end of this work concerns the beginning. A \u201cpanic theater\u201d, as Arrabal called:\u00a0 subversive, poetic, erotic ritual that unfolds between the sacred, the profane, tragedy, farce, obscenity, love and cruelty because \u201cthere is too tragic for it to be taken seriously\u201d. In this staging we face seven architects and seven emperors who mix, boosting even more the labyrinth built by Arrabal so that the \u2018confusion\u2019 is the most important focus. The human being is lost in an existence that does not understand, linked to a moral impenetrable and incomprehensible to him. This disconnection with nature generates the \u201cchaos\u201d within us, and it spreads all over the world. The relationship between the Architect and the Emperor is on a topic dear to Beckett, the time and the perpetrator-victim relationship, namely that important \u201cdear enemy\u201d with whom we share our existence. \u201cWe\u2019re not tied?\u201d asked Estragon in \u2018Waiting for Godot\u2019. \u201cBound?\u201d Wladimiro replied, \u201cYes, yes tied, tied to your God!\u201d By identifying the word god with any theme (family, religious, political, sexual, consumerist, mythological, ect) we can safely say that we are \u201ctied\u201d. \u201cWe will be the last men in chains. The inquisitions go to pieces. The terror and intolerance will cease for centuries \u2026 \u201d We are thus faced with a dream, the dream of Arrabal. Mattia Sebastian _______________________________ Tweets \u00a0\u00a0\u00a0 \u200f@arrabalf\u00a0 = autre arrabalesque:\u00a0 \u2026\u00e0 part le vice rien de plus excitant que la vertu otro arrabalesco: \u2026salvo el vicio nada mas excitante que la virtud","og_url":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/","og_site_name":"Ceci n\u2019est pas un blog","article_published_time":"2014-07-30T14:19:08+00:00","article_modified_time":"2015-08-18T22:33:46+00:00","og_image":[{"width":711,"height":430,"url":"https:\/\/laregledujeu.org\/arrabal\/files\/2014\/07\/Sans-titre-LITTLE.png","type":"image\/png"}],"author":"fernandoarrabal","twitter_misc":{"\u00c9crit par":"fernandoarrabal","Dur\u00e9e de lecture est.":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/","url":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/","name":"Arrabal in Japon - Ceci n\u2019est pas un blog","isPartOf":{"@id":"https:\/\/laregledujeu.org\/arrabal\/#website"},"primaryImageOfPage":{"@id":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/#primaryimage"},"image":{"@id":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/#primaryimage"},"thumbnailUrl":"https:\/\/laregledujeu.org\/arrabal\/files\/2014\/07\/Sans-titre-LITTLE.png","datePublished":"2014-07-30T14:19:08+00:00","dateModified":"2015-08-18T22:33:46+00:00","author":{"@id":"https:\/\/laregledujeu.org\/arrabal\/#\/schema\/person\/03f79100f4c863d602fcd462cb418c8e"},"breadcrumb":{"@id":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/#primaryimage","url":"https:\/\/laregledujeu.org\/arrabal\/files\/2014\/07\/Sans-titre-LITTLE.png","contentUrl":"https:\/\/laregledujeu.org\/arrabal\/files\/2014\/07\/Sans-titre-LITTLE.png","width":"711","height":"430"},{"@type":"BreadcrumbList","@id":"https:\/\/laregledujeu.org\/arrabal\/2014\/07\/30\/4781\/arrabal-in-japon\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/laregledujeu.org\/arrabal\/"},{"@type":"ListItem","position":2,"name":"Arrabal in Japon"}]},{"@type":"WebSite","@id":"https:\/\/laregledujeu.org\/arrabal\/#website","url":"https:\/\/laregledujeu.org\/arrabal\/","name":"Ceci n\u2019est pas un blog","description":"Fernando Arrabal","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/laregledujeu.org\/arrabal\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/laregledujeu.org\/arrabal\/#\/schema\/person\/03f79100f4c863d602fcd462cb418c8e","name":"fernandoarrabal","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/laregledujeu.org\/arrabal\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8e01ce8140fb7ab19645728d216ba3e9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8e01ce8140fb7ab19645728d216ba3e9?s=96&d=mm&r=g","caption":"fernandoarrabal"},"url":"https:\/\/laregledujeu.org\/arrabal\/author\/fernandoarrabal\/"}]}},"_links":{"self":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/posts\/4781"}],"collection":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/comments?post=4781"}],"version-history":[{"count":0,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/posts\/4781\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/media\/4790"}],"wp:attachment":[{"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/media?parent=4781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/categories?post=4781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laregledujeu.org\/arrabal\/wp-json\/wp\/v2\/tags?post=4781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}