{"id":419,"date":"2010-04-15T13:17:18","date_gmt":"2010-04-15T11:17:18","guid":{"rendered":"https:\/\/laregledujeu.org\/arrabal\/?p=419"},"modified":"2015-08-22T17:45:14","modified_gmt":"2015-08-22T15:45:14","slug":"hey-kids-its-panique-time-arrabal-san-francisco-bay-guardian","status":"publish","type":"post","link":"https:\/\/laregledujeu.org\/arrabal\/2010\/04\/15\/419\/hey-kids-its-panique-time-arrabal-san-francisco-bay-guardian\/","title":{"rendered":"Hey kids! It&rsquo;s Panique time! (Arrabal) San Francisco Bay Guardian"},"content":{"rendered":"<div id=\"content-header\">\n<h1>Hey kids! It&rsquo;s Panique time!<\/h1>\n<\/div>\n<p><!-- \/#content-header --><\/p>\n<div id=\"node-17222\">\n<div><!-- Call to Sub-head Field--><\/div>\n<div>\n<p>How many children&rsquo;s films would have dialogue like \u00ab\u00a0Father&rsquo;s in a concentration camp\u00a0\u00bb?<\/p>\n<\/div>\n<div><\/div>\n<div><a href=\"http:\/\/www.facebook.com\/sharer.php?u=http%3A%2F%2Flaregledujeu.org%2Farrabal%2Fwp-admin%2Fpost-new.php&amp;src=sp\" name=\"fb_share\"><\/a><!-- Teaser --><\/div>\n<div>\n<div><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sfbg.com\/sites\/default\/files\/imagecache\/Full_325_wide\/4427-trash.jpg\" alt=\"\" width=\"325\" height=\"275\" \/><\/div>\n<div>From \u00ab\u00a0Emperor of Peru\u00a0\u00bb<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>CULT DVD<\/strong> Alejandro Jodorowsky and Fernando Arrabal have overlapped their whole lives. The Chilean Jodorowsky and Spanish Arrabal arrived in Paris is the mid-1950s, eventually cofounding (with late, lesser remembered artist French artist Roland Topor) the Mouvement Panique \u2014 a\u00a0 group named after the god Pan and dedicated to \u00ab\u00a0terror, humor, simultaneity.\u00a0\u00bb The two initially focused on theatrical performance and have in subsequent decades created massive bodies of plays, poetry, novels, visual art (paintings for Arrabal, comic books for Jodorowsky), and more. Internationally, they&rsquo;ve been most widely experienced as filmmakers of some notoriety whose sporadic work in that medium was busiest during the wide-open late 1960s and early &rsquo;70s&#8230;.<\/p>\n<p>Arrabal&rsquo;s films have been even harder to see and have fallen into comparative obscurity, partly because they&rsquo;re less \u00ab\u00a0fun\u00a0\u00bb despite sharing much in the way of striking, shocking, and frequently blasphemous imagery&#8230;<\/p>\n<p>In 2005 Cult Epics brought out a collection comprising his first three features: <em>Viva la muerte <\/em>(1970) and <em>The Guernica Tree<\/em> (1975), two violently grotesque fantasias about the Spanish Civil War whose dead included his own assassinated painter father, a loyal Republican; plus <em>I Will Walk Like a Crazy Horse<\/em> (1972), a no-less surreal yet strangely touching love story of sorts between an urban playboy on the run and the three-foot-tall male desert hermit&#8230;<\/p>\n<p>Given their penchant for full-frontal nudity, antifascist politics, desecration of religious iconography, and other MPAA-unratable themes, perhaps the weirdest overlap between the two most famous \u00ab\u00a0Panique\u00a0\u00bb insurrectionists is that each once strayed into the alien realm of family entertainment&#8230;<\/p>\n<p>Unsurprisingly, the results did not send Disney into a market-dominance panique. Check out the cruddy French-language dupe with Spanish subtitles on YouTube and see how far curiosity gets you&#8230;\u00a0 <a href=\"http:\/\/www.youtube.com\/watch?v=IEhF-075yME\">http:\/\/www.youtube.com\/watch?v=IEhF-075yME<\/a><\/p>\n<p>Arrabal&rsquo;s kid flick wasn&rsquo;t quite so fully buried, but it too has remained an obscure object of completist desire. Fortunately his second and final DVD collection from Cult Epics just arrived to fill that need. Nominally released in 1982, French-Canadian coproduction <em>The Emperor of Peru<\/em> stars Mickey Rooney \u2014 there goes the scenery in one big chew \u2014 as a wuvvable wheelchair-bound eccentric found living in the forest by three children on summer holiday. A former steam train engineer, he teaches them to run an abandoned locomotive so they can take their Cambodian-refugee friend back home to his parents. Never mind that there&rsquo;s probably not much rail linking the South of France and Phnom Penh, let alone that in 1982 the Khmer Rouge remained very active&#8230;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hey kids! It&rsquo;s Panique time! How many children&rsquo;s films would have dialogue like \u00ab\u00a0Father&rsquo;s in a concentration camp\u00a0\u00bb? From \u00ab\u00a0Emperor of Peru\u00a0\u00bb &nbsp; CULT DVD Alejandro Jodorowsky and Fernando Arrabal have overlapped their whole lives. The Chilean Jodorowsky and Spanish Arrabal arrived in Paris is the mid-1950s, eventually cofounding (with late, lesser remembered artist French artist Roland Topor) the Mouvement Panique \u2014 a\u00a0 group named after the god Pan and dedicated to \u00ab\u00a0terror, humor, simultaneity.\u00a0\u00bb The two initially focused on theatrical performance and have in subsequent decades created massive bodies of plays, poetry, novels, visual art (paintings for Arrabal, comic books for Jodorowsky), and more. Internationally, they&rsquo;ve been most widely experienced as filmmakers of some notoriety whose sporadic work in that medium was busiest during the wide-open late 1960s and early &rsquo;70s&#8230;. Arrabal&rsquo;s films have been even harder to see and have fallen into comparative obscurity, partly because they&rsquo;re less \u00ab\u00a0fun\u00a0\u00bb despite sharing much in the way of striking, shocking, and frequently blasphemous imagery&#8230; In 2005 Cult Epics brought out a collection comprising his first three features: Viva la muerte (1970) and The Guernica Tree (1975), two violently grotesque fantasias about the Spanish Civil War whose dead included his own assassinated painter father, a loyal Republican; plus I Will Walk Like a Crazy Horse (1972), a no-less surreal yet strangely touching love story of sorts between an urban playboy on the run and the three-foot-tall male desert hermit&#8230; Given their penchant for full-frontal nudity, antifascist politics, desecration of religious iconography, and other MPAA-unratable themes, perhaps the weirdest overlap between the two most famous \u00ab\u00a0Panique\u00a0\u00bb insurrectionists is that each once strayed into the alien realm of family entertainment&#8230; Unsurprisingly, the results did not send Disney into a market-dominance panique. Check out the cruddy French-language dupe with Spanish subtitles on YouTube and see how far curiosity gets you&#8230;\u00a0 http:\/\/www.youtube.com\/watch?v=IEhF-075yME Arrabal&rsquo;s kid flick wasn&rsquo;t quite so fully buried, but it too has remained an obscure object of completist desire. Fortunately his second and final DVD collection from Cult Epics just arrived to fill that need. Nominally released in 1982, French-Canadian coproduction The Emperor of Peru stars Mickey Rooney \u2014 there goes the scenery in one big chew \u2014 as a wuvvable wheelchair-bound eccentric found living in the forest by three children on summer holiday. A former steam train engineer, he teaches them to run an abandoned locomotive so they can take their Cambodian-refugee friend back home to his parents. Never mind that there&rsquo;s probably not much rail linking the South of France and Phnom Penh, let alone that in 1982 the Khmer Rouge remained very active&#8230; &nbsp;<\/p>\n","protected":false},"author":6,"featured_media":423,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hey kids! It&#039;s Panique time! (Arrabal) San Francisco Bay Guardian - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2010\/04\/15\/419\/hey-kids-its-panique-time-arrabal-san-francisco-bay-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hey kids! It&#039;s Panique time! (Arrabal) San Francisco Bay Guardian - Ceci n\u2019est pas un blog\" \/>\n<meta property=\"og:description\" content=\"Hey kids! It&rsquo;s Panique time! How many children&rsquo;s films would have dialogue like \u00ab\u00a0Father&rsquo;s in a concentration camp\u00a0\u00bb? From \u00ab\u00a0Emperor of Peru\u00a0\u00bb &nbsp; CULT DVD Alejandro Jodorowsky and Fernando Arrabal have overlapped their whole lives. The Chilean Jodorowsky and Spanish Arrabal arrived in Paris is the mid-1950s, eventually cofounding (with late, lesser remembered artist French artist Roland Topor) the Mouvement Panique \u2014 a\u00a0 group named after the god Pan and dedicated to \u00ab\u00a0terror, humor, simultaneity.\u00a0\u00bb The two initially focused on theatrical performance and have in subsequent decades created massive bodies of plays, poetry, novels, visual art (paintings for Arrabal, comic books for Jodorowsky), and more. Internationally, they&rsquo;ve been most widely experienced as filmmakers of some notoriety whose sporadic work in that medium was busiest during the wide-open late 1960s and early &rsquo;70s&#8230;. Arrabal&rsquo;s films have been even harder to see and have fallen into comparative obscurity, partly because they&rsquo;re less \u00ab\u00a0fun\u00a0\u00bb despite sharing much in the way of striking, shocking, and frequently blasphemous imagery&#8230; In 2005 Cult Epics brought out a collection comprising his first three features: Viva la muerte (1970) and The Guernica Tree (1975), two violently grotesque fantasias about the Spanish Civil War whose dead included his own assassinated painter father, a loyal Republican; plus I Will Walk Like a Crazy Horse (1972), a no-less surreal yet strangely touching love story of sorts between an urban playboy on the run and the three-foot-tall male desert hermit&#8230; Given their penchant for full-frontal nudity, antifascist politics, desecration of religious iconography, and other MPAA-unratable themes, perhaps the weirdest overlap between the two most famous \u00ab\u00a0Panique\u00a0\u00bb insurrectionists is that each once strayed into the alien realm of family entertainment&#8230; Unsurprisingly, the results did not send Disney into a market-dominance panique. Check out the cruddy French-language dupe with Spanish subtitles on YouTube and see how far curiosity gets you&#8230;\u00a0 http:\/\/www.youtube.com\/watch?v=IEhF-075yME Arrabal&rsquo;s kid flick wasn&rsquo;t quite so fully buried, but it too has remained an obscure object of completist desire. Fortunately his second and final DVD collection from Cult Epics just arrived to fill that need. Nominally released in 1982, French-Canadian coproduction The Emperor of Peru stars Mickey Rooney \u2014 there goes the scenery in one big chew \u2014 as a wuvvable wheelchair-bound eccentric found living in the forest by three children on summer holiday. A former steam train engineer, he teaches them to run an abandoned locomotive so they can take their Cambodian-refugee friend back home to his parents. Never mind that there&rsquo;s probably not much rail linking the South of France and Phnom Penh, let alone that in 1982 the Khmer Rouge remained very active&#8230; &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/laregledujeu.org\/arrabal\/2010\/04\/15\/419\/hey-kids-its-panique-time-arrabal-san-francisco-bay-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Ceci n\u2019est pas un blog\" \/>\n<meta property=\"article:published_time\" content=\"2010-04-15T11:17:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-08-22T15:45:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/laregledujeu.org\/arrabal\/files\/2010\/04\/Users_utilisateur_Desktop_pierre-de-folie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2404\" \/>\n\t<meta property=\"og:image:height\" content=\"2362\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fernandoarrabal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"fernandoarrabal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture est.\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laregledujeu.org\/arrabal\/2010\/04\/15\/419\/hey-kids-its-panique-time-arrabal-san-francisco-bay-guardian\/\",\"url\":\"https:\/\/laregledujeu.org\/arrabal\/2010\/04\/15\/419\/hey-kids-its-panique-time-arrabal-san-francisco-bay-guardian\/\",\"name\":\"Hey kids! 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