*<\/p>\n
\u00ab\u00a0Laberinto\u00a0\u00bb de F.Arrabal. <\/strong><\/p>\n Teheran . Iran<\/p>\n traducci\u00f3n de Shirin Hosseinzadeh Rahvar (mejor traducci\u00f3n\u00a0 del festival universitario de Teheran).<\/p>\n \u00ab\u00a0… ‘Laberinto’ estar\u00e1 en la escena persa …\u00a0 esta obra fant\u00e1stica… genial… * \u00ab\u00a0Laberinto\u00a0\u00bb de F.Arrabal. Teheran . Iran traducci\u00f3n de Shirin Hosseinzadeh Rahvar (mejor traducci\u00f3n\u00a0 del festival universitario de Teheran). \u00ab\u00a0… ‘Laberinto’ estar\u00e1 en la escena persa …\u00a0 esta obra fant\u00e1stica… genial… …Guest of honour Fernando Arrabal… .. Fernando Arrabal, 80, is a Spanish playwright, screenwriter, film director, novelist and poet, living in France since 1955. His father, who was opposed to the right-wing movement of General Francisco Franco, disappeared in 1941, which traumatised the young Arrabal. At the age of ten the lad was awarded a National Prize for \u201cGifted Children\u201d and went on to study at the university in Madrid. Arrabal has directed seven full-length feature films, published over one hundred plays, fourteen novels, seven poetry collections, many essays, and his celebrated \u201cLetter to General Franco\u201d during the dictator\u2019s lifetime. His complete plays, which run to over two thousand pages, have been published in a number of languages. The Dictionary of Literatures in the French Language writes: \u00ab\u00a0Arrabal\u2019s theatre is a wild, brutal, cacophonous, and joyously provocative world. It is a dramatic carnival in which the carcass of our ‘advanced’ civilizations is barbecued over the spits of a permanent revolution. He is the artistic heir of Kafka\u2019s lucidity and Jarry\u2019s humor; in his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, both revolutionary and bohemian, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding a reprieve…\u00a0\u00bb<\/p>\n","protected":false},"author":6,"featured_media":3678,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"\n
\n<\/strong><\/p>\n
\n…Guest of honour Fernando Arrabal…
\n.. Fernando Arrabal, 80, is a Spanish playwright, screenwriter, film director, novelist and poet, living in France since 1955. His father, who was opposed to the right-wing movement of General Francisco Franco, disappeared in 1941, which traumatised the young Arrabal. At the age of ten the lad was awarded a National Prize for \u201cGifted Children\u201d and went on to study at the university in Madrid.
\nArrabal has directed seven full-length feature films, published over one hundred plays, fourteen novels, seven poetry collections, many essays, and his celebrated \u201cLetter to General Franco\u201d during the dictator\u2019s lifetime. His complete plays, which run to over two thousand pages, have been published in a number of languages. The Dictionary of Literatures in the French Language writes: \u00ab\u00a0Arrabal\u2019s theatre is a wild, brutal, cacophonous, and joyously provocative world. It is a dramatic carnival in which the carcass of our ‘advanced’ civilizations is barbecued over the spits of a permanent revolution. He is the artistic heir of Kafka\u2019s lucidity and Jarry\u2019s humor; in his violence, Arrabal is related to Sade and Artaud. Yet he is doubtless the only writer to have pushed derision as far as he did. Deeply political and merrily playful, both revolutionary and bohemian, his work is the syndrome of our century of barbed wire and Gulags, a manner of finding a reprieve…\u00a0\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"