{"id":1298,"date":"2010-09-29T14:13:26","date_gmt":"2010-09-29T12:13:26","guid":{"rendered":"https:\/\/laregledujeu.org\/arrabal\/?p=1298"},"modified":"2011-01-12T17:26:18","modified_gmt":"2011-01-12T15:26:18","slug":"retrospective-arrabal-et-le-film-lart-detre-arrabal-cinema-accatone-paris-5","status":"publish","type":"post","link":"https:\/\/laregledujeu.org\/arrabal\/2010\/09\/29\/1298\/retrospective-arrabal-et-le-film-lart-detre-arrabal-cinema-accatone-paris-5\/","title":{"rendered":"R\u00e9trospective Arrabal… et le film \u00ab\u00a0L’art d’\u00eatre Arrabal\u00a0\u00bb… cin\u00e9ma Accatone, Paris 5."},"content":{"rendered":"
<\/a><\/div>\n
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Le Monde du 29\/09: \u201cArrabal, figure majeure de la pens\u00e9e libertaire\u2026 iconoclaste\u2026 surdou\u00e9\u2026 transcendant satrape\u2026\u201d<\/h2>\n

H<\/span>ommage \u00e0 Fernando Arrabal<\/a>, cofondateur du mouvement Panique avec Roland Topor<\/a> et Alejandro Jodorowsky<\/a>, auteur de sept films (Viva la Muerte<\/em> en 1971, J\u2019irai comme un cheval fou<\/em> en 1973, L\u2019Arbre de Guernica<\/a><\/em> en 1975\u2026), d\u2019une quinzaine de romans (Baal Babylone<\/a><\/em>, L\u2019Enterrement de la sardine<\/em>\u2026), d\u2019une centaine de pi\u00e8ces de th\u00e9\u00e2tre (Fando et Lis<\/em>, Le Cimeti\u00e8re des voitures<\/em>\u2026).<\/p>\n

<\/p>\n

Figure majeure de la pens\u00e9e libertaire, lutin fac\u00e9tieux port\u00e9 sur l\u2019extravagance et la provocation, Fernando Arrabal a \u00e9t\u00e9 nomm\u00e9 Transcendant satrape du Coll\u00e8ge de Pataphysique<\/a> en 1990, une distinction qui honora Marcel Duchamp<\/a>, Man Ray<\/a>, Eug\u00e8ne Ionesco<\/a>, Boris Vian<\/a>.<\/p>\n

Emaill\u00e9 d\u2019extraits de ses films, de pi\u00e8ces, de conf\u00e9rences et d\u2019interviews, le documentaire de Bernard L\u00e9onard<\/a> (qui est mort pendant le montage du film) et de Pierre Alexis<\/a> de Potestad suit l\u2019artiste en voyage, \u00e9num\u00e8re ses passions.<\/p>\n

Voil\u00e0 l\u2019iconoclaste \u00e0 Melilla au Maroc, o\u00f9 il est n\u00e9 le 11 ao\u00fbt 1932, puis en Espagne\u00a0: \u00e9vocation de la disparition d\u2019un p\u00e8re condamn\u00e9 \u00e0 mort par Franco et devenu figure mythique, d\u2019une religieuse basque nomm\u00e9e Mercedes \u00e0 laquelle il doit de lui avoir appris \u00e0 lire et \u00e0 \u00e9crire, d\u2019avoir gagn\u00e9 un concours de surdou\u00e9s \u00e0 10 ans.<\/p>\n

\u201cMa patrie c\u2019est l\u2019exil\u201d<\/em>, clame celui qui affiche sa d\u00e9termination \u00e0 \u00eatre g\u00e9nial et saint, \u00e0 \u201catteindre l\u2019amour sublime \u00e0 travers la pornographie, l\u2019\u00e9rotisme ou l\u2019amour de l\u2019amour\u201d<\/em>.<\/p>\n

Son \u0153uvre se situe entre surr\u00e9alisme, th\u00e9\u00e2tre de l\u2019absurde, happening brutal, c\u00e9r\u00e9monie de la d\u00e9rision. Il pr\u00f4ne le doute et la confusion, d\u00e9plore ne pas savoir peindre, vante les \u00e9checs et la science, croit en l\u2019ind\u00e9termination, \u00e0 la physique quantique, aux math\u00e9matiques fractales.<\/p>\n

Arrabal visite le Mus\u00e9e du Prado en fauteuil roulant, s\u2019aligne au marathon de Moscou, r\u00e9clame des spectateurs qui se laisseraient plonger dans leurs d\u00e9lires, leurs fantasmes.<\/p>\n

Le proc\u00e8s fait \u00e0 Michel Houellebecq<\/a> lui rappelle l\u2019\u00e9poque o\u00f9 Franco le tra\u00eena en justice et interdit toute son \u0153uvre. Avec le Prix Nobel<\/a> Gao Xingjian<\/a>, il discute de libert\u00e9, pouvoir de r\u00e9sistance et de subversion.<\/p>\n

\n
Jean-Luc Douin<\/strong><\/div>\n<\/div>\n
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Film fran\u00e7ais de Bernard L\u00e9onard et Pierre Alexis de Potestad.<\/strong>
\nAffiche du film\u00a0 \u201cL\u2019Art d\u2019\u00eatre Arrabal\u201d.(ALT-O) PRODUCTIONS<\/p>\n

\n
\n
\n \"viva1[1]\"\/\n \n \n \n<\/div>\n
\n \"P10408711mmmm\"\/\n \n \n \n<\/div>\n
\n \"l'art\n \n \n \n<\/div>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Hommage \u00e0 Fernando Arrabal au cin\u00e9ma Accatone<\/p>\n","protected":false},"author":6,"featured_media":1301,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[784,414,916,1368,4960,5992,5993],"class_list":["post-1298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees","tag-pataphysique","tag-arrabal","tag-college","tag-le-monde","tag-retrospective","tag-satrape","tag-transcendant"],"yoast_head":"\nR\u00e9trospective Arrabal... et le film "L'art d'\u00eatre Arrabal"... cin\u00e9ma Accatone, Paris 5. - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2010\/09\/29\/1298\/retrospective-arrabal-et-le-film-lart-detre-arrabal-cinema-accatone-paris-5\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9trospective Arrabal... et le film "L'art d'\u00eatre Arrabal"... cin\u00e9ma Accatone, Paris 5. - 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