___________<\/li>\n<\/ul>\nDouze \u00a0films documentaires\u00a0\u00a0sur l’oeuvre de Fernando Arrabal, chacun de 1h\u00a0\u00a010′ (+ o -):<\/p>\n
\u00ab\u00a0Arrabal. imprescindibles Tohu bohu\u00a0\u00a0\u00bb TV \u00a0de\u00a0\u00a0Luis Miguel Gonz\u00e1lez y David Herranz.<\/p>\n
\u00ab\u00a0TAR\u201d\u00a0\u00a0de Kenny Ozier-Lafontaine<\/p>\n
\u00ab\u00a0Vidarrabal\u00a0\u00bb\u00a0de Xavier Pasturel<\/p>\n
\u00ab\u00a0L’art d’\u00eatre Arrabal\u00a0\u00bb\u00a0de Alexis de Potestad<\/p>\n
\u00ab\u00a0Arrabal Grand Rectum\u00a0\u00bb\u00a0(Univ de Foulosophie) de H.Samson y F. Gourd<\/p>\n
\u00a0\u00bb Arrabal\u00a0\u00a0foulosophe\u00a0\u00bb\u00a0de Fran\u00e7ois Ara Gourd et Hugo Samson<\/p>\n
\u00ab\u00a0Arrabal cin\u00e9aste panique\u00a0\u00bb\u00a0de Suarez y Amat<\/p>\n
\u00ab\u00a0Arrabal\u00a0\u00bb\u00a0de Humberto Lopez y Guerra (Prix Italia)<\/p>\n
\u00ab\u00a0Visiones de Arrabal\u00a0\u00bb\u00a0de Jos\u00e9 Vicente<\/p>\n
\u00ab\u00a0Arrabal; el genio y la locura\u00a0\u00bb\u00a0(2015, 1h 11′) de Javier Esteban<\/p>\n
<\/p>\n<\/div>\n<\/div>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"
XVIIIe\u00a0FESTIVAL INTERNATIONAL\u00a0 de CIN\u00c9MA D’ALMERIA\u00a0 \u00a0 XVIII\u00a0Festival Internacional de Cine deAlmer\u00eda info@festivaldealmeria.com\u00a0n\u00a0\u00a0contacto@festivaldealmeria.com\/ Cours-Atelier \u00a0de Videoart: \u00ab\u00a0Arrabal Audiovisual\u00a0\u00bb \u00a0dirig\u00e9 par \u00a0\u00a0\u00a0Federico Mart\u00ednez Utrera du 18 au 20 \u00a0novembre au \u00a0Salon Alfareros de la D\u00e9putation Provinciale d\u2019Almeria.: https:\/\/www.dipalme.org\/Servicios\/cmsdipro\/index.nsf\/fiestas.xsp?p=cultura&documentId=162F6E2AF9C249B1C1258487003FE875 \u00a0El taller de videoarte \u201cArrabal audiovisual\u201d de car\u00e1cter\u00a0interactivo\u00a0con la finalidad de generar \u00e1mbitos para las manifestaciones audiovisuales alternativas y propiciar espacios de encuentro para la reflexi\u00f3n hist\u00f3rica y est\u00e9tica videogr\u00e1fica. Esta octava edici\u00f3n del taller de videoarte de FICAL aborda la faceta exclusivamente audiovisual de\u00a0Fernando Arrabal. Si en el siglo XX el primer cine experimental norteamericano dio lugar, d\u00e9cadas despu\u00e9s, al videoarte de\u00a0Paik, Nauman \u00a0etc, el cine de\u00a0Fernando Arrabal es\u00a0uno de los or\u00edgenes del videoarte europeo. El taller ser\u00e1 impartido por el profesor\u00a0Federico Mart\u00ednez Utrera, durante las ma\u00f1anas de los d\u00edas\u00a018 al 20 de noviembre\u00a0de 2019 en el sal\u00f3n de actos del edificio Alfareros de la Diputaci\u00f3n de Almer\u00eda. __________________ \u00a0Fernando Arrabal a r\u00e9alis\u00e9 plus d’une centaine de videos et plusieurs courts m\u00e9trages\u00a0 \u00a0: \u00a01978:\u00a0Sang et Or\u00a0\u00a0avec Edgar Rock et Josua Watsky. 1990:\u00a0\u00c9checs et Mythe,\u00a0avec Jo\u00ebl Lautier,\u00a0Roland Topor,\u00a0 Julie Delpy et Gabriel Matzneff. \u00a0 1991:\u00a0New York, New York\u00a0!, avec Tom O’Horgan et Melvin Van Peebles ,etc Fernando Arrabal (prix Pasolini de cin\u00e9ma) a r\u00e9alis\u00e9 aussi sept longs-m\u00e9trages comme metteur en sc\u00e8ne: 1970 :\u00a0Viva la muerte\u00a0 \u00a0avec Nuria Espert, Ivan Henriques et Anouk Ferjac. 1972\u00a0J’irai comme un cheval fou\u00a0avec\u00a0\u00a0Emmanuelle Riva, Hachemi Marzouk eet George Shannon. 1975\u00a0\u00a0L’Arbre de Guernica avec Mariangela Melaton et Ron Faber. 1980\u00a0L’odyss\u00e9e de la Pacific\u00a0avec\u00a0Mickey Rooney et Monique Leclerc. 1981\u00a0Le cimeti\u00e8re des voitures\u00a0avec\u00a0\u00a0Alain Bashung et Juliette Berto. 1992\u00a0Adieu, Babylone!\u00a0avec\u00a0 L\u00e9lia Fischer et Spike Lee. 1998\u00a0Jorge Luis Borges , avec L\u00e9lia Fischer et Alessandro Atti. __________________________________ \u00abViva la muerte’\u00a0\u00a0est un chef-d’\u0153uvre absolu. Un des plus \u00e9blouissants que j’aie vus dans ma vie\u00a0\u00bb\u00a0(Pierre de Mandiargues)\u00a0\u00a0;\u00a0\u00ab\u00a0Arrabal est f\u00e9rocement original\u00a0\u00bb\u00a0(John Parrack, Rollling Stones)\u00a0\u00a0;\u00a0\u00ab\u00a0Une \u0153uvre audacieuse, paroxystique et artistiquement r\u00e9ussie\u00a0\u00bb\u00a0(Amos Vogel)\u00a0;\u00a0\u00ab\u00a0Arrabal est meilleur que Fellini, qu’Ingmar Bergman… il est au cin\u00e9ma ce que Rimbaud est \u00e0 la po\u00e9sie\u00a0\u00bb\u00a0(P. Bruckberger; Le Monde) ___________ Douze \u00a0films documentaires\u00a0\u00a0sur l’oeuvre de Fernando Arrabal, chacun de 1h\u00a0\u00a010′ (+ o -): \u00ab\u00a0Arrabal. imprescindibles Tohu bohu\u00a0\u00a0\u00bb TV \u00a0de\u00a0\u00a0Luis Miguel Gonz\u00e1lez y David Herranz. \u00ab\u00a0TAR\u201d\u00a0\u00a0de Kenny Ozier-Lafontaine \u00ab\u00a0Vidarrabal\u00a0\u00bb\u00a0de Xavier Pasturel \u00ab\u00a0L’art d’\u00eatre Arrabal\u00a0\u00bb\u00a0de Alexis de Potestad \u00ab\u00a0Arrabal Grand Rectum\u00a0\u00bb\u00a0(Univ de Foulosophie) de H.Samson y F. Gourd \u00a0\u00bb Arrabal\u00a0\u00a0foulosophe\u00a0\u00bb\u00a0de Fran\u00e7ois Ara Gourd et Hugo Samson \u00ab\u00a0Arrabal cin\u00e9aste panique\u00a0\u00bb\u00a0de Suarez y Amat \u00ab\u00a0Arrabal\u00a0\u00bb\u00a0de Humberto Lopez y Guerra (Prix Italia) \u00ab\u00a0Visiones de Arrabal\u00a0\u00bb\u00a0de Jos\u00e9 Vicente \u00ab\u00a0Arrabal; el genio y la locura\u00a0\u00bb\u00a0(2015, 1h 11′) de Javier Esteban <\/p>\n","protected":false},"author":6,"featured_media":10841,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miscellannees"],"yoast_head":"\n
XVIIIe\u00a0FESTIVAL INTERNATIONAL\u00a0 de CIN\u00c9MA D'ALMERIA, Cours-Atelier \u00a0de Videoart: "Arrabal Audiovisual".\u00a0 - Ceci n\u2019est pas un blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XVIIIe\u00a0FESTIVAL INTERNATIONAL\u00a0 de CIN\u00c9MA D'ALMERIA, Cours-Atelier \u00a0de Videoart: "Arrabal Audiovisual".\u00a0 - Ceci n\u2019est pas un blog\" \/>\n<meta property=\"og:description\" content=\"XVIIIe\u00a0FESTIVAL INTERNATIONAL\u00a0 de CIN\u00c9MA D’ALMERIA\u00a0 \u00a0 XVIII\u00a0Festival Internacional de Cine deAlmer\u00eda info@festivaldealmeria.com\u00a0n\u00a0\u00a0contacto@festivaldealmeria.com\/ Cours-Atelier \u00a0de Videoart: \u00ab\u00a0Arrabal Audiovisual\u00a0\u00bb \u00a0dirig\u00e9 par \u00a0\u00a0\u00a0Federico Mart\u00ednez Utrera du 18 au 20 \u00a0novembre au \u00a0Salon Alfareros de la D\u00e9putation Provinciale d\u2019Almeria.: https:\/\/www.dipalme.org\/Servicios\/cmsdipro\/index.nsf\/fiestas.xsp?p=cultura&documentId=162F6E2AF9C249B1C1258487003FE875 \u00a0El taller de videoarte \u201cArrabal audiovisual\u201d de car\u00e1cter\u00a0interactivo\u00a0con la finalidad de generar \u00e1mbitos para las manifestaciones audiovisuales alternativas y propiciar espacios de encuentro para la reflexi\u00f3n hist\u00f3rica y est\u00e9tica videogr\u00e1fica. Esta octava edici\u00f3n del taller de videoarte de FICAL aborda la faceta exclusivamente audiovisual de\u00a0Fernando Arrabal. Si en el siglo XX el primer cine experimental norteamericano dio lugar, d\u00e9cadas despu\u00e9s, al videoarte de\u00a0Paik, Nauman \u00a0etc, el cine de\u00a0Fernando Arrabal es\u00a0uno de los or\u00edgenes del videoarte europeo. El taller ser\u00e1 impartido por el profesor\u00a0Federico Mart\u00ednez Utrera, durante las ma\u00f1anas de los d\u00edas\u00a018 al 20 de noviembre\u00a0de 2019 en el sal\u00f3n de actos del edificio Alfareros de la Diputaci\u00f3n de Almer\u00eda. __________________ \u00a0Fernando Arrabal a r\u00e9alis\u00e9 plus d’une centaine de videos et plusieurs courts m\u00e9trages\u00a0 \u00a0: \u00a01978:\u00a0Sang et Or\u00a0\u00a0avec Edgar Rock et Josua Watsky. 1990:\u00a0\u00c9checs et Mythe,\u00a0avec Jo\u00ebl Lautier,\u00a0Roland Topor,\u00a0 Julie Delpy et Gabriel Matzneff. \u00a0 1991:\u00a0New York, New York\u00a0!, avec Tom O’Horgan et Melvin Van Peebles ,etc Fernando Arrabal (prix Pasolini de cin\u00e9ma) a r\u00e9alis\u00e9 aussi sept longs-m\u00e9trages comme metteur en sc\u00e8ne: 1970 :\u00a0Viva la muerte\u00a0 \u00a0avec Nuria Espert, Ivan Henriques et Anouk Ferjac. 1972\u00a0J’irai comme un cheval fou\u00a0avec\u00a0\u00a0Emmanuelle Riva, Hachemi Marzouk eet George Shannon. 1975\u00a0\u00a0L’Arbre de Guernica avec Mariangela Melaton et Ron Faber. 1980\u00a0L’odyss\u00e9e de la Pacific\u00a0avec\u00a0Mickey Rooney et Monique Leclerc. 1981\u00a0Le cimeti\u00e8re des voitures\u00a0avec\u00a0\u00a0Alain Bashung et Juliette Berto. 1992\u00a0Adieu, Babylone!\u00a0avec\u00a0 L\u00e9lia Fischer et Spike Lee. 1998\u00a0Jorge Luis Borges , avec L\u00e9lia Fischer et Alessandro Atti. __________________________________ \u00abViva la muerte’\u00a0\u00a0est un chef-d’\u0153uvre absolu. Un des plus \u00e9blouissants que j’aie vus dans ma vie\u00a0\u00bb\u00a0(Pierre de Mandiargues)\u00a0\u00a0;\u00a0\u00ab\u00a0Arrabal est f\u00e9rocement original\u00a0\u00bb\u00a0(John Parrack, Rollling Stones)\u00a0\u00a0;\u00a0\u00ab\u00a0Une \u0153uvre audacieuse, paroxystique et artistiquement r\u00e9ussie\u00a0\u00bb\u00a0(Amos Vogel)\u00a0;\u00a0\u00ab\u00a0Arrabal est meilleur que Fellini, qu’Ingmar Bergman… il est au cin\u00e9ma ce que Rimbaud est \u00e0 la po\u00e9sie\u00a0\u00bb\u00a0(P. Bruckberger; Le Monde) ___________ Douze \u00a0films documentaires\u00a0\u00a0sur l’oeuvre de Fernando Arrabal, chacun de 1h\u00a0\u00a010′ (+ o -): \u00ab\u00a0Arrabal. imprescindibles Tohu bohu\u00a0\u00a0\u00bb TV \u00a0de\u00a0\u00a0Luis Miguel Gonz\u00e1lez y David Herranz. \u00ab\u00a0TAR\u201d\u00a0\u00a0de Kenny Ozier-Lafontaine \u00ab\u00a0Vidarrabal\u00a0\u00bb\u00a0de Xavier Pasturel \u00ab\u00a0L’art d’\u00eatre Arrabal\u00a0\u00bb\u00a0de Alexis de Potestad \u00ab\u00a0Arrabal Grand Rectum\u00a0\u00bb\u00a0(Univ de Foulosophie) de H.Samson y F. Gourd \u00a0\u00bb Arrabal\u00a0\u00a0foulosophe\u00a0\u00bb\u00a0de Fran\u00e7ois Ara Gourd et Hugo Samson \u00ab\u00a0Arrabal cin\u00e9aste panique\u00a0\u00bb\u00a0de Suarez y Amat \u00ab\u00a0Arrabal\u00a0\u00bb\u00a0de Humberto Lopez y Guerra (Prix Italia) \u00ab\u00a0Visiones de Arrabal\u00a0\u00bb\u00a0de Jos\u00e9 Vicente \u00ab\u00a0Arrabal; el genio y la locura\u00a0\u00bb\u00a0(2015, 1h 11′) de Javier Esteban \" \/>\n<meta property=\"og:url\" content=\"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/\" \/>\n<meta property=\"og:site_name\" content=\"Ceci n\u2019est pas un blog\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-30T16:29:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-30T16:29:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/10\/vgvgvfvff-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"549\" \/>\n\t<meta property=\"og:image:height\" content=\"533\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fernandoarrabal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"fernandoarrabal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture est.\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/\",\"url\":\"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/\",\"name\":\"XVIIIe\u00a0FESTIVAL INTERNATIONAL\u00a0 de CIN\u00c9MA D'ALMERIA, Cours-Atelier \u00a0de Videoart: \\\"Arrabal Audiovisual\\\".\u00a0 - 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Esta octava edici\u00f3n del taller de videoarte de FICAL aborda la faceta exclusivamente audiovisual de\u00a0Fernando Arrabal. Si en el siglo XX el primer cine experimental norteamericano dio lugar, d\u00e9cadas despu\u00e9s, al videoarte de\u00a0Paik, Nauman \u00a0etc, el cine de\u00a0Fernando Arrabal es\u00a0uno de los or\u00edgenes del videoarte europeo. El taller ser\u00e1 impartido por el profesor\u00a0Federico Mart\u00ednez Utrera, durante las ma\u00f1anas de los d\u00edas\u00a018 al 20 de noviembre\u00a0de 2019 en el sal\u00f3n de actos del edificio Alfareros de la Diputaci\u00f3n de Almer\u00eda. __________________ \u00a0Fernando Arrabal a r\u00e9alis\u00e9 plus d’une centaine de videos et plusieurs courts m\u00e9trages\u00a0 \u00a0: \u00a01978:\u00a0Sang et Or\u00a0\u00a0avec Edgar Rock et Josua Watsky. 1990:\u00a0\u00c9checs et Mythe,\u00a0avec Jo\u00ebl Lautier,\u00a0Roland Topor,\u00a0 Julie Delpy et Gabriel Matzneff. \u00a0 1991:\u00a0New York, New York\u00a0!, avec Tom O’Horgan et Melvin Van Peebles ,etc Fernando Arrabal (prix Pasolini de cin\u00e9ma) a r\u00e9alis\u00e9 aussi sept longs-m\u00e9trages comme metteur en sc\u00e8ne: 1970 :\u00a0Viva la muerte\u00a0 \u00a0avec Nuria Espert, Ivan Henriques et Anouk Ferjac. 1972\u00a0J’irai comme un cheval fou\u00a0avec\u00a0\u00a0Emmanuelle Riva, Hachemi Marzouk eet George Shannon. 1975\u00a0\u00a0L’Arbre de Guernica avec Mariangela Melaton et Ron Faber. 1980\u00a0L’odyss\u00e9e de la Pacific\u00a0avec\u00a0Mickey Rooney et Monique Leclerc. 1981\u00a0Le cimeti\u00e8re des voitures\u00a0avec\u00a0\u00a0Alain Bashung et Juliette Berto. 1992\u00a0Adieu, Babylone!\u00a0avec\u00a0 L\u00e9lia Fischer et Spike Lee. 1998\u00a0Jorge Luis Borges , avec L\u00e9lia Fischer et Alessandro Atti. __________________________________ \u00abViva la muerte’\u00a0\u00a0est un chef-d’\u0153uvre absolu. Un des plus \u00e9blouissants que j’aie vus dans ma vie\u00a0\u00bb\u00a0(Pierre de Mandiargues)\u00a0\u00a0;\u00a0\u00ab\u00a0Arrabal est f\u00e9rocement original\u00a0\u00bb\u00a0(John Parrack, Rollling Stones)\u00a0\u00a0;\u00a0\u00ab\u00a0Une \u0153uvre audacieuse, paroxystique et artistiquement r\u00e9ussie\u00a0\u00bb\u00a0(Amos Vogel)\u00a0;\u00a0\u00ab\u00a0Arrabal est meilleur que Fellini, qu’Ingmar Bergman… il est au cin\u00e9ma ce que Rimbaud est \u00e0 la po\u00e9sie\u00a0\u00bb\u00a0(P. Bruckberger; Le Monde) ___________ Douze \u00a0films documentaires\u00a0\u00a0sur l’oeuvre de Fernando Arrabal, chacun de 1h\u00a0\u00a010′ (+ o -): \u00ab\u00a0Arrabal. imprescindibles Tohu bohu\u00a0\u00a0\u00bb TV \u00a0de\u00a0\u00a0Luis Miguel Gonz\u00e1lez y David Herranz. \u00ab\u00a0TAR\u201d\u00a0\u00a0de Kenny Ozier-Lafontaine \u00ab\u00a0Vidarrabal\u00a0\u00bb\u00a0de Xavier Pasturel \u00ab\u00a0L’art d’\u00eatre Arrabal\u00a0\u00bb\u00a0de Alexis de Potestad \u00ab\u00a0Arrabal Grand Rectum\u00a0\u00bb\u00a0(Univ de Foulosophie) de H.Samson y F. Gourd \u00a0\u00bb Arrabal\u00a0\u00a0foulosophe\u00a0\u00bb\u00a0de Fran\u00e7ois Ara Gourd et Hugo Samson \u00ab\u00a0Arrabal cin\u00e9aste panique\u00a0\u00bb\u00a0de Suarez y Amat \u00ab\u00a0Arrabal\u00a0\u00bb\u00a0de Humberto Lopez y Guerra (Prix Italia) \u00ab\u00a0Visiones de Arrabal\u00a0\u00bb\u00a0de Jos\u00e9 Vicente \u00ab\u00a0Arrabal; el genio y la locura\u00a0\u00bb\u00a0(2015, 1h 11′) de Javier Esteban ","og_url":"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/","og_site_name":"Ceci n\u2019est pas un blog","article_published_time":"2019-10-30T16:29:03+00:00","article_modified_time":"2019-10-30T16:29:10+00:00","og_image":[{"width":549,"height":533,"url":"https:\/\/laregledujeu.org\/arrabal\/files\/2019\/10\/vgvgvfvff-1.jpg","type":"image\/jpeg"}],"author":"fernandoarrabal","twitter_misc":{"\u00c9crit par":"fernandoarrabal","Dur\u00e9e de lecture est.":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/","url":"https:\/\/laregledujeu.org\/arrabal\/2019\/10\/30\/10840\/xviiie-festival-international-de-cinema-dalmeria-cours-atelier-de-videoart-arrabal-audiovisual\/","name":"XVIIIe\u00a0FESTIVAL INTERNATIONAL\u00a0 de CIN\u00c9MA D'ALMERIA, Cours-Atelier \u00a0de Videoart: \"Arrabal Audiovisual\".\u00a0 - 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