{"version":"1.0","provider_name":"Ceci n\u2019est pas un blog","provider_url":"https:\/\/laregledujeu.org\/arrabal","title":"Arrabal, meet Mickey Rooney (OCCULT\u00c9): film 'Treasure Train' - Ceci n\u2019est pas un blog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Ex5vtNLdom\"><a href=\"https:\/\/laregledujeu.org\/arrabal\/2014\/04\/07\/4636\/arrabal-meet-mickey-rooney-film-treasure-train\/\">Arrabal, meet Mickey Rooney (OCCULT\u00c9): film &lsquo;Treasure Train&rsquo;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/laregledujeu.org\/arrabal\/2014\/04\/07\/4636\/arrabal-meet-mickey-rooney-film-treasure-train\/embed\/#?secret=Ex5vtNLdom\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Arrabal, meet Mickey Rooney (OCCULT\u00c9): film &lsquo;Treasure Train&rsquo;\u00a0\u00bb &#8212; Ceci n\u2019est pas un blog\" data-secret=\"Ex5vtNLdom\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/laregledujeu.org\/arrabal\/files\/2014\/04\/Image-sans-titre.png","thumbnail_width":"188","thumbnail_height":"224","description":"TREASURE TRAIN (\u00ab\u00a0The Emperor of Peru\u00a0\u00bb ,\u00a0 \u201cLa Odisea de la Pac\u00edfico\u201d) film de Fernando Arrabal de 78 \u2018. Direcci\u00f3n:\u00a0 Fernando Arrabal Gui\u00f3n: Fernando Arrabal Avec Mickey Rooney, Anick, Jonathan Starr, Ky Huot Uk, Monique Mercure, Jean-Louis Roux, Guy Hoffman, Valda Dalton, Jean-Pierre Saulnier, Marie-Jos\u00e9e Morin, Maurice Podbrey, Vlasta Vrana Idioma:\u00a0 Ingl\u00e9s con subs en espa\u00f1ol e ingl\u00e9s (srt) Ruso (doblado) FERNANDO ARRABAL, Meet Mickey Rooney: &lsquo;Treasure Train&rsquo; ARRABAL cineasta: -En 2007 el alcalde de Par\u00eds le otorg\u00f3 el premio \u201cPasolini\u201d de cine. \u00ab\u00a0Una de las obras cinematogr\u00e1ficas m\u00e1s audaces, parox\u00edsticas y art\u00edsticamente m\u00e1s acabadas\u00a0\u00bb (Amos Vogel, \u2018Village Voice\u2019N.Y.); \u2018Viva la muerte\u2019 es una obra maestra absoluta . Una de las m\u00e1s deslumbrantes vistas en mi vida\u00a0\u00bb (Pieyre de Mandiargues); \u00ab\u00a0Arrabal es ferozmente original\u00a0\u00bb (John Parrack, \u2018Rolling Stones\u2019); \u00ab\u00a0Arrabal es mejor que Fellini, que Ingmar Bergman&#8230; es al cine lo que Rimbaud a la poes\u00eda. \u00a0\u00bb (P. Bruckberger \u2018Le Monde\u2019).Mel Gussow (The New York Times) considera a Fernando Arrabal como el \u00fanico superviviente de los \u00ab tres avatares de la modernidad\u00bb: surrealismo, p\u00e1nico y pataf\u00edsica. : Wikipedia &#8211; Pas\u00f3 tres a\u00f1os en el grupo surrealista (\u201ces un pilar\u201d dijo Andr\u00e9 Breton); pero no tuvo influencia bretoniana\u2026 : Arrabal ha repetido: \u201cMalheureusement je suis arriv\u00e9 trop tard au groupe; mon pli \u00e9tait pri; rien ne change dans mon \u0153uvre\u201d. &#8211; Junto a Jodorowsky y Topor fund\u00f3 el movimiento p\u00e1nico. Las siete pel\u00edculas, largo-metrajes dirigidas por Arrabal en DVD en Esp &amp; Fr junto a &lsquo;Creaciones arrabalescas&rsquo; de Christ\u00e8le Jacob y &lsquo;F.A. cineasta p\u00e0nico&rsquo;. El pack figura en la colecci\u00f3n \u00ab\u00a0Initial Series (filmograf\u00eda completa)\u00a0\u00bb de Cameo Media S.L. y Wanda films. cameo@cameo.es wanda@wanda. Los siete largo-metrajes dirigidos por FERNANDO ARRABAL (para todas sus pel\u00edculas Arrabal escribi\u00f3 tambi\u00e9n los guiones)son: 1970 Viva la muerte coproduction Isabel-Films (Paris) et S.A.T.P.E.C. (Tunis), avec Nuria Espert, Ivan Henriques et Anouk Ferjac. * 1972 J&rsquo;irai comme un cheval fou (\u00ab\u00a0Ir\u00e9 como un caballo loco\u00ab\u00a0) produit par la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale de Production &#8211; Babylone Films, avec Emmanuelle Riva, Hachemi Marzouk et George Shannon. * 1975 L&rsquo;arbre de Guernica (\u00ab\u00a0El \u00e0rbol de Guernica\u00ab\u00a0) produit par C.V.C. Communication, Federico Mueller et Harry N. Blum, avec Maria Angela Melato et Ron Faber. * 1980 \u00ab\u00a0Treasure Train\u00a0\u00bb (\u00ab\u00a0La odisea de la Pacifico\u00a0\u00bb o \u00ab\u00a0El emperador del Per\u00f9\u00ab\u00a0) produit par Babylone Films, avec Mickey Rooney et Monique Leclerc. * 1981 Le cimeti\u00e8re des voitures (\u00ab\u00a0El cementerio de automoviles\u00ab\u00a0) coproduction Antenne 2 et Babylone Films, avec Alain Bashung et Juliette Berto. * 1992 Adieu, Babylone! production Antenne 2 -Cinecim, avec L\u00e9lia Fischer et Spike Lee. * 1998 Jorge Luis Borges (Una vida de poes\u00eda) production Aphaville\/Spirali (Italie), avec L\u00e9lia Fischer et Alessandro Atti. __________________ Fernando Arrabal is a Spanish writer and filmmaker known, for surreal and disturbing movies. Like their older expatriate Luis Bu\u00f1uel, their surrealism has an air of anarchy in response to authority. It comes as a bit of a surprise that Arrabal also made this French-Canadian children\u2019s movie, Treasure Train (or L\u2019Empereur de Perou) starring Mickey Rooney, but the connections are there. A little girl and her younger brother are spending the summer on the estate of an uncle and aunt. The boy feels especially put-upon and every ten minutes imagines himself into a fantasy where he\u2019s a heroic astronaut or explorer whose exploits and ingenuity are hailed in live TV broadcasts. He\u2019s always accompanied by his duck Federico, a loaded name for a surrealist movie mascot. A Cambodian refugee boy comes to stay until he can be adopted. His father is in a concentration camp and the kid doesn\u2019t know where his mother is, so he wants to go back to Cambodia to marry her! The movie is also dotted with his simply staged reminiscences of the last times he saw his family in his war-torn country, and although these moments are as aesthetically unreal as the other boy\u2019s fantasies, they resonate with Arrabal\u2019s other films. The kids wander every day in the woods, where they make friends with \u201ca crazy old cripple\u201d who calls himself the Emperor of Peru. This is Rooney\u2019s patented late-model, over-the-top, cantankerous but supposedly loveable old duffer. The cops will soon drag him to a rest home, but he supports the kids\u2019 plan to revive an old locomotive for the trip to Cambodia so the refugee can marry his mom. To them, reality is something to be fled from and their plans are utterly divorced from it, as Arrabal\u2019s seem to be. Grown-ups are alternately kind or angry, and their well-meaning plans (whether as guardians of children or officials of the town) seem randomly cruel and patronising to the kids and the old maniac. Even so, you can\u2019t help perceiving that the latter truly don\u2019t understand what\u2019s best for them, as the lovely escapist setting keeps bearing reminders of a cruel world. The story is airy with dark undercurrents, while the young performances and the pace make things a bit leaden. The eccentric ending, which I liken to E.B. White\u2019s Stuart Little for its inconclusiveness and ambiguity, may or may not be happy depending on your own grasp of reality. Although the movie\u2019s moments of open surrealism are grounded as \u201cfantasy\u201d or \u201cdream\u201d, the overall nature of the enterprise subverts the pretended reality of the context, especially when the clowns arrive. Most of the characters, especially Rooney and the older girl, acted in English, though some acted in French. Both soundtracks are offered, and it means that both have some characters dubbed and others not. Neither is completely satisfactory but the English is best, since that\u2019s where you\u2019ll hear Rooney\u2019s voice. There\u2019s a 2011 interview with Rooney in which you can see him enthusiastically stringing together much-used observations like boxcars, one reminding him of another and never entirely on point. I\u2019d have removed the questions to make this less obvious or dropped the segment entirely. Arrabal\u2019s brilliant and bracing Viva La Muerte and I Will Walk Like a Crazy Horse, along with the later The Guernica Tree about the Spanish Civil War, are available from Cult Epics. Odyssey Moving Images is a new company founded by that company\u2019s owner. According to the press release, the new label will release films \u201cwith prominent actors and directors in a variety of genres, which cater to a more mainstream audience\u201d. &nbsp;"}